以 Instagram 为工具反击国家不安全形象:#LiveLoveLebanon 案例

Raphaela Nehme
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引用次数: 0

摘要

社交媒体的出现创造了跨文化参与的新手段。在Instagram上,越来越多的旅游页面和旅游博主旨在介绍和分享他们旅行目的地的亮点。这些目的地的当地人也希望积极地描绘他们的国家,并将其推广为旅游目的地,特别是在中东的某些国家,那里有“不安全”形象的额外挑战需要对抗。这项研究的重点是黎巴嫩,以了解Instagram在多大程度上可以被视为实现这一目标的手段,以及在Instagram上看到黎巴嫩描述的用户是否将该国视为潜在的旅游目的地。该研究借鉴了Said的“他者”概念(1978)、Hall的表征系统(1980)和Pieterse的杂交范式(1996),并采用了一种混合方法,结合了对加拿大参与者的调查和半结构化访谈。调查结果广泛表明,虽然Instagram可以有效地被视为对抗黎巴嫩“不安全”形象的工具,虽然这个国家可能被用户打上潜在的旅游目的地的标签,但算法限制限制了这些内容发挥其潜力的潜力,因为它们并不总是到达那些认为黎巴嫩是一个“不安全”的地方的用户。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Instagram as a Tool to Counter the Image of Countries as Unsafe: the Case of #LiveLoveLebanon
The emergence of social media has created new means of intercultural engagement. On Instagram, there is a growing trend of travel pages and travel bloggers whose aim is to introduce and share the highlights of the destinations they travel to. Locals in these destinations also wish to portray their country positively and promote it as a tourist destination, particularly in certain countries of the Middle East where there is the added challenge of an ‘unsafe’ image to combat. This research focuses on Lebanon to find out to what extent Instagram can be considered a means to this end, and if users who come across depictions of Lebanon on Instagram perceive the country as a potential tourist destination. The study draws on Said’s conception of the ‘other’ (1978), Hall’s system of representations (1980) and Pieterse’s hybridization paradigm (1996), and it used a mixed methods approach combining surveys and semi-structured interviews with Canadian participants. Findings broadly show that while Instagram can effectively be considered a tool to counter the ‘unsafe’ image of Lebanon, and while the country may be branded as a potential tourist destination to users who come across favorable depictions of it, algorithm restrictions limit the potential for such contents to fulfill their potential as they do not always reach users who perceive Lebanon to be an ‘unsafe’ place.
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