上下文的营销

Willem Strank
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引用次数: 13

摘要

音乐的在线传播已经改变了它的物质性、表现形式和解释方式。参与式在线环境使听众能够对音乐进行排名、评论和分类,为有问题的作品增添新的意义和背景。与此同时,流行的流媒体平台为听众提供了汇编的手段,再次创造了新的、往往是任意的连接。这种音乐方法伴随着本章所介绍的“情境营销”概念。专业的在线音乐语境化补充了业余的方法,形成了一个新的参考和流行文化联系网络。本章展示了这些标签技术是如何工作的,以及一些相关平台是如何组织起来的,以提供在线音乐分发现状的快照,以及我们在数字时代感知和构建音乐从属关系的方式所产生的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contextual Marketing
The online distribution of music has altered its materiality, its presentation, and the practices of its interpretation. Participatory online environments empower listeners to rank, review, and classify music, adding new layers of meaning and context to the works in question. At the same time, popular streaming platforms provide the means for compilations by listeners, once again creating new and often arbitrary connections. This approach to music is accompanied by the concept of “contextual marketing” introduced in this chapter. The professional online contextualization of music complements the amateur approaches, leading to a new network of references and pop-cultural connections. The chapter shows how some of these labeling techniques work and how some of the related platforms are organized to provide a snapshot of the status quo of online music distribution and the resulting consequences for the way we perceive and construct musical affiliations in the digital age.
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