Threshold spaces

Previous studies (see, for example, Julia Sonnevend) have noted the plethora of COVID-19 visual imagery that act as powerful communicative tools. We extend these scholarly insights by focusing on the emotive visual dynamics and social operations of photograph in two city case studies: artists Bill Hayes’ and Ruth Corney’s respective New York and London photography at street level during the first wave of COVID-19 in 2020. More specifically, by taking viewers inside threshold spaces such as doorways, windows, and front yards, we argue that these artists’ images dramatize possibilities of creativity and empathy at the borders of inside/outside, visible/invisible, and visual/verbal. They reveal the emotive interaction forged between subjects and the quotidian materials of their sentient environment. Ultimately, the chapter documents how these images help guide viewers through the emotive hardships of the pandemic, illuminating the operations of creative resilience while actively soliciting the viewer’s empathy. © 2022 selection and editorial matter, Irene Gammel and Jason Wang;individual chapters, the contributors.