黑色雅各宾派的戏剧性开始

Rachel Douglas
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引用次数: 2

摘要

直到最近,关于C.L.R.詹姆斯著名的以海地革命为基础的《黑色雅各宾派》的一个鲜为人知的事实是,它以戏剧的形式开始和结束了生命,结束了他的经典历史的第一个和最后一个版本。克里斯蒂安·霍格斯伯格(Christian Hogsbjerg)对C.L.R.詹姆斯(C.L.R. James)的《杜桑·卢维杜尔》(Toussaint Louverture)的新评论版的重要性怎么强调都不为过,因为它第一次以出版的形式广泛传播了这部难以捉摸的处女作的剧本。直到2013年,由于剧本文本的缺乏,詹姆斯1967年的第二部完全不同的戏剧《黑色雅各宾派》被解读为1936年的剧本,甚至在出版时也被宣传为这样的剧本。受到杜桑·卢维杜尔评论版的启发,我评论了詹姆斯用自己独特的笔迹对第一部戏剧的一个剧本做出的一系列迷人的变体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dramatic beginnings of The Black Jacobins
Review of Christian Hogsbjerg, ed., C.L.R. James, Toussaint Louverture: The Story of the Only Successful Slave Revolt in History Until recently, one little-known fact about C.L.R. James's famous Haitian revolution-based The Black Jacobins project was that it both began and ended life as a play, bookending the first and last editions of his classic history. It would be hard to overstate the importance of Christian Hogsbjerg's new critical edition of C.L.R. James's Toussaint Louverture because it makes widely available in published form for the first time the script of the elusive first play. For want of this playtext util 2013, James's completely different 1967 second play The Black Jacobins had been read as the 1936 play, and even billed as such when published. Inspired by the critical edition of Toussaint Louverture, I comment on a set of fascinating variants made in James's own distinctive hand to one script of the first play.
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