{"title":"文化:","authors":"","doi":"10.2307/j.ctvs89dcm.8","DOIUrl":null,"url":null,"abstract":"The following paper has been published as part of Liminalities: A Journal of Performance Studies 10 (2); a special issue based on a selection of papers and performances at Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance, a two-day international conference (11th 12th of April 2013) exploring the use of networks as a means to enhance or create a wide variety of performance arts.","PeriodicalId":202686,"journal":{"name":"Delimitations of Latin American Philosophy","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"LIMINALITIES:\",\"authors\":\"\",\"doi\":\"10.2307/j.ctvs89dcm.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The following paper has been published as part of Liminalities: A Journal of Performance Studies 10 (2); a special issue based on a selection of papers and performances at Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance, a two-day international conference (11th 12th of April 2013) exploring the use of networks as a means to enhance or create a wide variety of performance arts.\",\"PeriodicalId\":202686,\"journal\":{\"name\":\"Delimitations of Latin American Philosophy\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Delimitations of Latin American Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvs89dcm.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Delimitations of Latin American Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvs89dcm.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
以下论文已作为《Liminalities: A Journal of Performance Studies》10(2)的一部分发表;《远程相遇:连接身体、崩溃空间和网络表演中的时间普遍性》特刊，为期两天的国际会议(2013年4月11日至12日)，探讨使用网络作为一种手段来增强或创造各种各样的行为艺术。
The following paper has been published as part of Liminalities: A Journal of Performance Studies 10 (2); a special issue based on a selection of papers and performances at Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance, a two-day international conference (11th 12th of April 2013) exploring the use of networks as a means to enhance or create a wide variety of performance arts.
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