J. McGregory
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引用次数: 0

摘要

巴哈马和伯利兹的节日艺术形式汇集了各种拼写。本章描绘了巴哈马Junkanoo传统的自发崛起,从早期的“怪诞”假面舞者在圣诞节用藏红花袋和香蕉叶等廉价材料出现,到今天演变成节礼日的“令人惊叹的艺术”。在伯利兹,它的Jankunú主要在Dangriga展开,这是Garifuna(或Garinagu)人的家和文化中心。圣诞节有wanáragua游行队伍,节礼日传统上是为Charikanari保留的,更多的是自发的出现,拥抱节日艺术形式,依赖于变装的男性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Junkanoo/Jankunú
The festal art forms of The Bahamas and Belize have procured a confluence of variegated spellings. This chapter charts the Bahamian Junkanoo tradition’s autonomous rise from the early “grotesque” masqueraders’ appearances on Christmas Day in cheap materials such as crocus sacks and banana leaves to its present-day morphing into a “breathtaking art” for Boxing Day. In Belize, its Jankunú principally unfolds in Dangriga, the home and the cultural center of the Garifuna (or Garinagu) people. Christmas Day boasts its wanáragua processions with Boxing Day traditionally preserved for Charikanari with more spontaneous appearances embracing a festive art form dependent on crossdressing males.
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