舞蹈的影子书法:一个基于图像的互动装置,捕捉流动的人物形象

Lyn Chao-ling Chen, He-Lin Luo
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引用次数: 1

摘要

在作品中,讨论了流动的人物形象的主题。人们每天经过熟悉的地方,在其中创造了他们与城市之间的联系。印象、记忆和体验将城市空间的定义转化为合适的地方,它是有意义的,并在物理世界上创造了一个虚拟的层次。作品试图通过揭示看不见的痕迹,唤起人们意识到人与环境之间的联系。互动装置设置在户外展览中,摄像机对准道路,投影仪在附近建筑的墙上表演图像。在交互式装置中使用了物体检测技术来捕捉人的动作。采用GMM建模捕获具有逼真人脸特征的帧,并设置参数生成后像效果。墙上的投影画面结合了25帧不同更新时间设置的画面进行延迟视觉,画面中央只有一个区域实时播放当前画面,唤起观众注意到自己的动作与投影画面之间的联系。此外,其中一些在水平方向上被反转,以创造一种具有美学构图的动态中国毛笔画。墙上留下的人物作为标记或印刷品提醒人们他们在城市中的痕迹,从而在城市和同时去过这个地方的人之间建立联系。在互动装置中,身体书法的即兴绘画以协作的方式展示,在物理点上展现人群的面相或人形,在心理方面也展现协作的经验或记忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shadow Calligraphy of Dance: An Image-Based Interactive Installation for Capturing Flowing Human Figures
In the artwork, the topic of flowing human figures has been discussed. People pass through familiar places day by day, in which they create connection among them and the city. The impressions, memories and experiences turn the definition of the space in the city into place, and it is meaningful and creates a virtual layer upon the physical world. The artwork tried to arouse people to aware the connection among them and the environment by revealing the invisible traces. The interactive installation was set in outdoor exhibition, and a camera was set align the road and a projector was used for performing image on the wall of the nearby building. Object detection technology has been used in the interactive installation for capturing movements of people. GMM modeling was adopted for capturing frames with vivid face features, and the parameters was set for generating afterimage effect. The projected picture on the wall combined with 25 frames in different update time setting for performing a delayed vision, and only one region in the center of the image played the current frame in real-time, for arousing audience to notice the connection between their movements and the projected picture. In addition, some of them were reversed in horizontal direction for creating a dynamic Chinese brush painting with aesthetic composition. The remaining figures on the wall as mark or print remind people their traces in the city, and that creates the connection among the city and people who has been to the place at the same time. In the interactive installation, the improvisational painting of body calligraphy was exhibited in a collaborative way, in which revealed the face features or human shapes of the crowd in physical point, and also the collaborative experiences or memories in mental aspect.
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