文学创作与俄国哲学

I. Sizemskaya
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引用次数: 0

摘要

本文追溯了哲学作为一种系统的世界知识和文学作为一种艺术思考形式的相互关系。作者认为,对世界的概念性和具象性理解是社会精神生活的属性。在这一理解范式中,哲学与多种文学创作类型的结合被认为是十九世纪至二十世纪初民族精神文化的基本组成部分,决定了其民族特质,成为一种符号符码。一方面,她设定了文学创作的主要载体,包括对存在意义的探索,用哲学内容填充了艺术和想象思维的直觉,另一方面,她在哲学思想的形而上学中“添加”了关于进步、社会正义和平等的意识形态问题,确保哲学反思不受僵化的概念方案的支配
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary creativity and Russian philosophy
The article traces the lines of interrelation of philosophy as a systematic knowledge of the world and literature as a form of artistic contemplation. Conceptual and figurative comprehension of the world, according to the author, are attributive properties of the spiritual life of society. In the paradigm of this understanding, the union of philosophy with diverse types of literary creativity is considered as a basic component of the national spiritual culture of the XIX — early XX century, which determined its national peculiarity, becoming a kind of symbolic code. On the one hand, she set the main vector of literary creativity, including the search for the meanings of being, and filled the intuitions of artistic and imaginative thinking with philosophical content, on the other hand, she "added" metaphysics of philosophical thought with ideological questions about progress, social justice and equality, insuring philosophical reflection from the dictates of rigid conceptual schemes
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