{"title":"从那拉衍那古鲁后期哲学著作的角度看其Kāḷi Nāṭakam所呈现的喜剧舞蹈概念","authors":"H. Urbańska","doi":"10.15804/aoto201610","DOIUrl":null,"url":null,"abstract":"his article is devoted to the concept of the cosmic dance of the goddess Kāḷi presented in Kāḷi Nāṭakam (the Dance of Kali – KN), composed by Nārāyaṇa Guru (Narayana Guru) in 1887–1897. This hymn can be analysed in the context of later philosophical works written by Guru, especially the last philosophical hymn devoted to Dēvi addressed as Mother of Royal Yoga (rājayōgajananī) – Jananīnavaratnamañjarī (The Bouquet of Nine Gems Devoted to Mother – JNRM), composed in 1909. Other works to be taken into consideration are: Ātmōpadēśa Śatakam (One Hundred Verses of Self-Instruction – AŚ) – a poem composed in Malayalam in 1897 — and Darśana Mālā (Garland of Visions – DM), a philosophical work in ten sections, composed in Sanskrit in 1916. Kāḷi is treated here as an object of devotion, described both in impersonal and personal terms, as a goddess with auspicious qualities while evoking fear at the same time. She is sometimes identified with Śiva; however, as a great","PeriodicalId":240161,"journal":{"name":"Art of the Orient","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Concept of Comic Dance as Presented in Kāḷi Nāṭakam of Narayana Guru in the Light of His Later Philosophical Works\",\"authors\":\"H. Urbańska\",\"doi\":\"10.15804/aoto201610\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"his article is devoted to the concept of the cosmic dance of the goddess Kāḷi presented in Kāḷi Nāṭakam (the Dance of Kali – KN), composed by Nārāyaṇa Guru (Narayana Guru) in 1887–1897. This hymn can be analysed in the context of later philosophical works written by Guru, especially the last philosophical hymn devoted to Dēvi addressed as Mother of Royal Yoga (rājayōgajananī) – Jananīnavaratnamañjarī (The Bouquet of Nine Gems Devoted to Mother – JNRM), composed in 1909. Other works to be taken into consideration are: Ātmōpadēśa Śatakam (One Hundred Verses of Self-Instruction – AŚ) – a poem composed in Malayalam in 1897 — and Darśana Mālā (Garland of Visions – DM), a philosophical work in ten sections, composed in Sanskrit in 1916. Kāḷi is treated here as an object of devotion, described both in impersonal and personal terms, as a goddess with auspicious qualities while evoking fear at the same time. She is sometimes identified with Śiva; however, as a great\",\"PeriodicalId\":240161,\"journal\":{\"name\":\"Art of the Orient\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art of the Orient\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15804/aoto201610\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art of the Orient","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15804/aoto201610","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
他的文章致力于探讨女神Kāḷi宇宙之舞的概念,这一概念出现在Nārāyaṇa Guru (Narayana Guru)于1887年创作的Kāḷi Nāṭakam (the dance of Kali - KN)中。这首赞美诗可以在古鲁后来写的哲学著作的背景下进行分析,特别是最后一首献给Dēvi的哲学赞美诗,被称为皇家瑜伽之母(rājayōgajananī) - Jananīnavaratnamañjarī(献给母亲的九颗宝石的花束- JNRM),创作于1909年。其他被考虑的作品有:Ātmōpadēśa Śatakam(自学一百诗- AŚ) - 1897年用马拉雅拉姆语创作的一首诗- Darśana Mālā(视觉的花环- DM), 1916年用梵语创作的一部分十部分的哲学作品。Kāḷi在这里被视为一个奉献的对象,以非个人和个人的方式描述,作为一个具有吉祥品质的女神,同时唤起恐惧。她有时被认为是Śiva;然而,作为一个伟大的
A Concept of Comic Dance as Presented in Kāḷi Nāṭakam of Narayana Guru in the Light of His Later Philosophical Works
his article is devoted to the concept of the cosmic dance of the goddess Kāḷi presented in Kāḷi Nāṭakam (the Dance of Kali – KN), composed by Nārāyaṇa Guru (Narayana Guru) in 1887–1897. This hymn can be analysed in the context of later philosophical works written by Guru, especially the last philosophical hymn devoted to Dēvi addressed as Mother of Royal Yoga (rājayōgajananī) – Jananīnavaratnamañjarī (The Bouquet of Nine Gems Devoted to Mother – JNRM), composed in 1909. Other works to be taken into consideration are: Ātmōpadēśa Śatakam (One Hundred Verses of Self-Instruction – AŚ) – a poem composed in Malayalam in 1897 — and Darśana Mālā (Garland of Visions – DM), a philosophical work in ten sections, composed in Sanskrit in 1916. Kāḷi is treated here as an object of devotion, described both in impersonal and personal terms, as a goddess with auspicious qualities while evoking fear at the same time. She is sometimes identified with Śiva; however, as a great