对被封锁的尸体的反思

C. Jewitt
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引用次数: 0

摘要

这本由四位艺术家/学者/研究人员撰写的四篇短文组成的合集是一种挑衅,邀请我们在Covid-19大流行的背景下对“封锁”的身体进行询问和反思。为应对大流行而做出的行为改变、规定和封锁,在个人层面以及机构、社区和国家层面重塑了人们的流动、彼此之间的接近和接触、物体和环境。四位作者都反思了这对Covid-19时代的空间性和触感的意义;从编舞,舞蹈,电影制作和/或表演中汲取实践经验,他们参与对真实和想象的身体,现在和未来身体美学的影响。虽然这四篇文章是建立在不同艺术实践基础上的独立作品,但它们共同扩展了身体、触摸和感官的概念,并以不同的方式将身体作为认识的场所和途径。这些反思除了本身就是艺术研究外,还为寻求了解如何通过Covid-19修复身体体验的多模式学者提供了见解或替代起点。除了呼吁想象触摸的未来,在多模态潜力的文章中出现的主题包括技术在塑造运动和触摸的自由和约束方面的作用;模式资源的社会性,特别是存在感和联系感的创造或丧失,以及集体和个人责任和风险的平衡;触摸和/或声音或图像之间的跨模态关系的经验意义潜力;通过模糊和人类,非人类和环境接触之间的界限来实现紧张。最后,这些文章要求我们所有人参与并质疑模式和感官重新平衡、重新校准或重新配置模式的可能性,特别是在2019冠状病毒病及其他背景下的空间性和触觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflections on bodies in lockdown
This collection of four short essays by four artists/academic/researchers are provocations that invite us to interrogate and reflect on bodies in ‘lockdown’ in the context of the Covid-19 pandemic. The behaviour changes, regulations and lockdowns made in response to the pandemic have served to re-shape people’s movement, proximity and touch with one another, objects and the environment at an individual level, as well as an institutional, community and national level. Each of the four authors reflects on the significance of this for spatiality and touch in Covid-19 times; drawing on practices from within choreography, dance, film making, and/or performance they engage with the impact on the aesthetics of real and imagined bodies, present and future bodies. While the four essays are stand-alone pieces founded on distinct artistic practices, collectively they extend the notion of the body, touch and the sensorial, and engage in different ways with the body as a site of, and route to, knowing. In addition to being artistic-research in their own right, these reflections provide insights or alternative starting points to multimodal scholars seeking to understand how bodily experiences are being remediated through Covid-19. Alongside a call to imagine the futures of touch, emergent themes across the essays of potential for multimodality include the role of technologies in shaping the freedom and constraints placed on movement and touch; the sociality of modal resources, notably the creation or loss of a sense of presence and connection, and the balance of collective and individual responsibilities and risk; the experiential meaning potentials of cross-modal relationships between touch and/or sound or image; and the tensions realised through the blurring and the boundaries created between human, non-human and environmental touch. Finally, these essays ask us all to engage with, and question the possibilities for modal and sensory rebalancing, recalibration or reconfiguration of modes – notably of spatiality and touch, in the context of Covid-19 and beyond.
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