回收作为建筑的灵感

Matúš Kiaček
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引用次数: 2

摘要

摘要:本文从不同的认识层面探讨回收的启示。引言描述了循环利用这个词的含义,因为它被认为与建筑有关。第一章通过对材料再利用的最普遍理解来探讨回收,描述材料的回收如何激发建筑灵感。第二章讨论了转换意义上的回收,指出解决这一问题的特别重要性。本章提到了四种理论,通过实例说明了转换的方法,并指出了由思想和宗教驱动的建筑回收。第三章讨论了建筑的灵感来自于回收或重用建筑元素,这些元素成为新建筑概念背后的思想载体。第四章反思将建筑的再循环理解为历史建筑风格的形式形象,从而反映在19世纪的历史风格和20世纪的后现代主义。第五章“回收理念”寻求理念层面的回收,通过将旧理念融入现代理念,参考肖的理想之城和里卡多·波菲尔,中世纪的主题mázhaus和苏格拉底的房子。在第六章中,题为“作为概念的回收”,我们读到一些鼓舞人心的建筑,它们在许多层面上具有回收的意义,这对于客观化作品的意识形态本质非常重要。论文的结语部分简要总结了工作成果及其实质,总结了对问题的主观评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recycling as an Inspiration for Architecture
Abstract The article approaches the inspiration of recycling at different levels of understanding. The introduction describes the meanings of the word recycling as it is perceived in relation to architecture. The first chapter approaches recycling through its most common understanding as material reuse, describing how the recycling of materials can inspire architecture. The second chapter takes up recycling in the sense of conversion, pointing out the particular importance of addressing this issue. The chapter mentions four theories dealing with approaches to conversion, which are specified through examples, and points to architectural recycling motivated by idea and by religion. The third chapter discusses architecture is inspired by recycling or reusing architectural elements that become the bearer of the idea of behind a new architectural concept. The fourth chapter reflects on understanding the recycling of architecture as taking on the formal image of historical architectural styles, thus reflected in the historical styles of the 19th century and postmodernism of the 20th century. The fifth chapter “Recycling the idea” seeks recycling at the level of the idea, by incorporating old ideas into modern concepts, referring to the Ideal City of Chaux and to Ricardo Bofill, the motif of the medieval mázhaus and Socrates’ house. In the sixth chapter, entitled “Recycling as a concept”, we read about inspiring architecture that takes on recycling at many levels of meaning, becoming important for objectifying the ideological essence of the work. The conclusion of the paper briefly summarizes the results of the work and its essence, summarizing a subjective evaluation of the issue.
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