增强茶花女:通过增强现实技术修复歌剧

A. Marasco, Barbara Balbi, Donatella Icolari
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引用次数: 0

摘要

本文的目的是探讨如何通过增强现实来修复和增强歌剧的组成部分。为此,采用多学科方法,整合人文、设计技术和市场营销领域的研究,并提出了一个框架,确定歌剧补救的相关组成部分。在此框架和前人研究的基础上,本文通过早期媒体和新媒体分析了《茶花女》的几个衰落,讨论了在这种背景下对歌剧进行有意义的修复的要求以及增强现实的优势。在前人研究和案例分析的基础上,本文认为增强现实可以成为歌剧的强大媒介,增强和包容歌剧的多模态结构和多重体验维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Augmented La Traviata: Remediating Opera Through Augmented Reality Technology
The purpose of this article is to explore how the components of the opera can be remediated and enhanced through augmented reality. To this end, a multidisciplinary approach is adopted that integrates studies in the areas of humanities, design technology and marketing and a framework is proposed that identifies the relevant components for the remediation of opera. Based on the framework and previous studies, the case of La Traviata is analyzed in its several declinations through early and new media to discuss the requirements for a meaningful remediation of opera and the strengths of augmented reality in this context. Based on previous research and the case analysis, it is argued that augmented reality can be a powerful medium for opera, enhancing and encompassing its multimodal structure and multiple experience dimensions.
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