人物的言语、肖像和风景在开启人物精神方面的作用

Ulughbek Kuchimov
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摘要

在小说作品中,作者创造了一个可以在生活中发生的艺术世界,把生活和想象中的事件呈现在我们的眼前,仿佛它们是真实的、真实的、曾经发生过的。这种文学现象有时需要突破现实界限的艺术创作。在接下来的几年里,就像所有类型和体裁的文学一样,奇幻作品、主题、诗学、风格和形象的世界都发生了具体的变化和演变。在Ray Bradbury和Hojiakbar Shaikhov的作品中,可以注意到许多特征,如神话、意识流、人类内心世界的形象、存在主义的解释、内心独白、时标注释、梦、英雄的演讲、肖像和风景形象、与读者进行对话的愿望。本文以美国作家Ray Bradberi的作品《华氏451度》、《冰与火》、《杜鹃花的酒》以及乌兹别克小说创始人之一Hojiakbar Shaikhov的小说《相邻的世界》、《两个世界的奇迹》、《未知的人》、《火中的人》等奇幻小说和故事为例,对这些文学和美学问题进行了分析。值得注意的是,作品中人物的话语旨在打开人物的心理,话语的主人和话语本身都是被导向的,Ray Bradberi和Hojiakbar Shaikhov经常试图通过他们的话语打开他们的英雄的心理状态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE ROLE OF THE SPEECH OF THE CHARACTER, PORTRAIT AND LANDSCAPE IN OPENING THE SPIRIT OF THE CHARACTER
In the works of fiction, the writer creates an artistic world that can happen in life, and shows life and imaginary events in our eyes as if they are true, real, had happened. Sometimes this literary phenomenon requires such an artistic composition that it breaks the boundaries of reality. In the following years, as in all types and genres literature, specific changes, evolutions are taking place in the world of fantasy works, themes, poetics, style, and images. In the works of Ray Bradbury and Hojiakbar Shaikhov, a number of features such as myth, the stream of consciousness, the image of the human's inner world, the existential interpretation, the inner monologue, the chronotope ANNOTATIONion, the dream, the speech of the hero, the portrait and landscape image, the desire to be engaged in a dialogue with the reader can be noticed. In the article, these literary and aesthetic problems are analyzed on the example of the works of American writer Ray Bradberi “451 degree on Fahrenheit”, “The ice and fire”, “Wine from the flower of the Cuckoo” and the stories of one of the founders of Uzbek fiction Hojiakbar Shaikhov “Adjoined worlds”, “The wonderer of the two worlds” “Unknown people”, “Man from the fire” and other fantastic novels, and stories. It is worth noting that the speech of the character of the work is aimed at opening the psychology of the character, in which both the owner of the speech and the speech itself are directed, and that Ray Bradberi and Hojiakbar Shaikhov often try to open the psychological state of their heroes through their speech.
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