{"title":"共振的事实:音波战争，触觉文学和芬尼根Wake的充满活力的身体2","authors":"J. Conlan","doi":"10.1353/djj.2018.0009","DOIUrl":null,"url":null,"abstract":"Abstract:This article reads Finnegans Wake as a response to technological innovations in the field of acoustics in the early twentieth century. Drawing on the work of sound-theorists such as Steve Goodman, Jacques Attali, and Paul Virilio, it shows how Joyce's familiarity with electronic components and musicological theories of 'fundamental frequency' allowed him to articulate a vision of the 'vibrant body'. Finnegans Wake is thus an example of 'haptic literature' that uses the interface between the body and technology to generate an anti-fascist biopolitics.","PeriodicalId":105673,"journal":{"name":"Dublin James Joyce Journal","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Facts of Resonance: Sonic Warfare, Haptic Literature, and the Vibrant Body in Finnegans Wake II.3\",\"authors\":\"J. Conlan\",\"doi\":\"10.1353/djj.2018.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article reads Finnegans Wake as a response to technological innovations in the field of acoustics in the early twentieth century. Drawing on the work of sound-theorists such as Steve Goodman, Jacques Attali, and Paul Virilio, it shows how Joyce's familiarity with electronic components and musicological theories of 'fundamental frequency' allowed him to articulate a vision of the 'vibrant body'. Finnegans Wake is thus an example of 'haptic literature' that uses the interface between the body and technology to generate an anti-fascist biopolitics.\",\"PeriodicalId\":105673,\"journal\":{\"name\":\"Dublin James Joyce Journal\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-07-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dublin James Joyce Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/djj.2018.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dublin James Joyce Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/djj.2018.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Facts of Resonance: Sonic Warfare, Haptic Literature, and the Vibrant Body in Finnegans Wake II.3
Abstract:This article reads Finnegans Wake as a response to technological innovations in the field of acoustics in the early twentieth century. Drawing on the work of sound-theorists such as Steve Goodman, Jacques Attali, and Paul Virilio, it shows how Joyce's familiarity with electronic components and musicological theories of 'fundamental frequency' allowed him to articulate a vision of the 'vibrant body'. Finnegans Wake is thus an example of 'haptic literature' that uses the interface between the body and technology to generate an anti-fascist biopolitics.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
