利物浦披头士遗产旅游

Michael Brocken
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引用次数: 0

摘要

这一章探讨了披头士的故事和利物浦之间的紧张关系,用意象和想象力召唤出令人信服的信念,这些信念支配着权威的叙述。这样的遗产策略带有一点绝望的味道,也许掩盖了利物浦幸存的披头士碎片与全球流行音乐遗产旅游之间关系的变化。如今,披头士、利物浦和“60年代,男人”的花言花语代表了一种过时的、白人的、性别化的、说英语的摇滚元叙事,在一个多面性的全球流行音乐(旅游)市场中。利物浦作为披头士乐队和默西比特旅游的原址和世界遗产的地位从未像现在这样岌岌可危。随着60年代逐渐被载入流行音乐史的史册,这座城市如何能继续吸引甲壳虫乐队的游客呢?另一个问题是,如何向那些对披头士乐队作为一种全球流行音乐现象知之甚少的游客解释他们的遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beatles Heritage Tourism in Liverpool
This chapter explores the tension between the Beatles’ story and Liverpool, with imagery and imagination conjuring up compelling beliefs that command narratives of authority. Such heritage strategies have smacked a little of desperation, perhaps masking the changed relationship between surviving Beatles fragments in Liverpool and popular-music heritage tourism across the globe. The rhetoric of the Beatles, Liverpool, and “the ’60s, man” today represents an outdated, white, gendered, anglophone rock meta-narrative in what is now a multifaceted global popular-music (tourism) marketplace. Liverpool’s position as the authentic site for Beatles and Merseybeat tourism and a World Heritage Site has never been more precarious. How can the city continue to attract Beatles tourists as the ’60sslip away into the annals of popular-music historiography? An additional question is how the Beatles’ legacy might be explained to visitors with little knowledge of them as a global popular-music phenomenon.
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