{"title":"《血红色:诗学、模式、政治","authors":"Patricia Pisters","doi":"10.3366/edinburgh/9781474466950.003.0006","DOIUrl":null,"url":null,"abstract":"The conclusion returns to the poetics, aesthetics and politics of blood, showing that there are many different blood types in the poetics of horror made by women, but that each drop contains a world of pain, sorrow, and rage but also laughter and wonder, consolation and insight; each gush embodies a world of stories to convey, wisdom to impart and emotions to share. The overarching pattern is that female directed horror often addresses inner demons and extends the emotional spectrum of the genre beyond fear and disgust, and stretches the genre boundaries to introduce a poetics of horror in many different genres.","PeriodicalId":264029,"journal":{"name":"New Blood in Contemporary Cinema","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bloody Red: Poetics, Patterns, Politics\",\"authors\":\"Patricia Pisters\",\"doi\":\"10.3366/edinburgh/9781474466950.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The conclusion returns to the poetics, aesthetics and politics of blood, showing that there are many different blood types in the poetics of horror made by women, but that each drop contains a world of pain, sorrow, and rage but also laughter and wonder, consolation and insight; each gush embodies a world of stories to convey, wisdom to impart and emotions to share. The overarching pattern is that female directed horror often addresses inner demons and extends the emotional spectrum of the genre beyond fear and disgust, and stretches the genre boundaries to introduce a poetics of horror in many different genres.\",\"PeriodicalId\":264029,\"journal\":{\"name\":\"New Blood in Contemporary Cinema\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Blood in Contemporary Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474466950.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Blood in Contemporary Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474466950.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The conclusion returns to the poetics, aesthetics and politics of blood, showing that there are many different blood types in the poetics of horror made by women, but that each drop contains a world of pain, sorrow, and rage but also laughter and wonder, consolation and insight; each gush embodies a world of stories to convey, wisdom to impart and emotions to share. The overarching pattern is that female directed horror often addresses inner demons and extends the emotional spectrum of the genre beyond fear and disgust, and stretches the genre boundaries to introduce a poetics of horror in many different genres.
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