表演骶骨空间-空间化骶骨表演

Teresa Leonhard
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引用次数: 0

摘要

抽象空间与行动紧密相连。通过艺术现象学的方法,可以在文化表演的概念中找到神圣空间和表演(突出的身体动作)之间存在的相互作用,它整合了运动和生动空间的相互依赖,彼此的起源。由于空间是运动的东西,是被创造的东西,在骶骨空间中,人类体验到空间对身体的影响,反之亦然,运动创造空间的影响。表演“教堂中的艺术家”遇到了一个以行动产生知识和“最终中介”为特征的空间:转换、几何、地点、缺席、门槛和超越的概念。行为艺术以共鸣的方式激发并引导人们以一种审美的方式去理解空间和行动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing Sacral Spaces – Spatializing Sacral Performance
Abstract Spaces are closely connected with actions. By implementing an artistic-phenomenological approach, the existing interplay between sacral space and performance (highlighted bodily actions) can be found in the idea of cultural performance, which integrates the interdependance of movement and lively space, the origin of one in another. As space is something in motion, something that is created, in sacral spaces human beings experience an impact of space on the body and vice versa the eThects of movement creating space. Performing „Artists in Church“ encounter a space characterized by actions generating knowledge and "nally intermediate: the idea of transformation, geometry, places, absence, threshold and transcending. Performance Art provokes and leads syntopically and sympathetically to an aesthetic way of understanding space and action.
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