木材加固:意大利历史建筑的当地施工技术

Stefano Della, Torre And, L. Cantini
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引用次数: 0

摘要

。木材连接作为垂直砌体墙的加固作用是众所周知的,但仍需要系统的研究。考虑到来自建筑论文的主要来源,木杆作为墙之间的结合元素的真正识别并没有得到认可。15世纪和16世纪的几位重要作家建议避免在墙体部分使用木材元素,认为这种材料的易腐性不能提供长期耐用的解决方案。然而,自17世纪以来,也有一些迹象表明,所谓的“高知识”似乎确定了一种可靠的技术,用于砖石墙的木材加固。这项工作探讨了理论方法和建筑现场实践之间的矛盾,重点关注插入砌体结构的直立木材的机械功能。最近基于档案研究的贡献表明,木质增强材料的使用在意大利广泛传播,但很少被建筑理论家记录在案。在档案中发现的技术文件是一个丰富的信息来源,关于墙体内木材的持久性,作为砖石结构在剪力作用下的脆弱性的解决方案。科莫沃尔皮宫建筑现场文献的案例为改进建筑理论专家对未达到官方学分的建筑实践的研究提供了一个重要的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Timber Reinforcements: Local Construction Techniques in Italian Historical Buildings
. The role of timber connections as reinforcement for vertical masonry walls is well known but still requiring a systematic study. Considering the main sources coming from the architectonic treatises, a real identification of the use of wooden poles as binding elements between walls is not recognized. Several important authors belonging to the 15 th and 16 th century recommended avoiding the use of timbering elements into the section of the walls, arguing that the perishability of this material cannot provide a long durable solution. Nevertheless, since the 17 th century also some indications from the so called “high knowledge” seem to identify a reliable technique in the timber reinforcements for masonry walls. This work explores the contraposition between theoretical approaches and the building site practice, focusing on the mechanical function of orthostatic timbers inserted into masonry structures. Recent contributions based on archive studies indicated that the use of wooden reinforcements was widely diffused in Italy, but rarely documented by the architectural theorists. The technical documentation discovered into archives is instead a rich source of information concerning the persistence of timbers inside walls as a solution against the vulnerability of masonry structures to shear forces. The case of the building site documentation for the realization of Volpi Palace in Como offers an important occasion for improving the studies on a building practice that did not meet official credits by the theoretical experts in architecture.
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