从拉格回来后:意大利后记忆文学

Barbara D'Alessandro
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引用次数: 0

摘要

本文运用玛丽安·赫希提出的“后记忆”一词的结构,探讨了与记忆代际转移有关的问题,并特别分析了第一代作家代表伊迪丝·布鲁克的案例,她亲身经历了迫害。尤其是《奥斯维辛夫人》(1999年),该书反映了尽管有目睹的行为,但无法克服集中营的恐怖,最后一本书是《我的窗格》(2021年)。最后,本文将重点放在第二代犹太人身上,试图展示我们如何在意大利谈论与大屠杀创伤有关的“后记忆文学”,从Helena Janeczek的案例开始(Lezioni di tenebra, 1997)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
After the return from Lager: the literature of post-memory in Italy
The paper explores the problems related to the idea of intergenerational transfer of memory, using the structure coined by Marianne Hirsch with the word postmemory, and analyzes in particular the case of the translingual author Edith Bruck, a representative of first generation, who experienced the persecutions first hand. In particular will be taken into account the book Signora Auschwitz (1999), that reflects on the impossibility of overcoming the horror of the Lager, despite the act of witnessing, and the last book released Il pane perduto (2021). Finally, the paper focuses on the second generation of Jews, trying to show how we can talk also in Italy of a «postmemorian literature» for what concerns the trauma of the Shoah, starting from the case of Helena Janeczek (Lezioni di tenebra, 1997).
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