{"title":"无中生有:深度学习","authors":"Inna Kouper","doi":"10.1145/504216.504238","DOIUrl":null,"url":null,"abstract":"Earlier works by G. Landow, J. D. Bolter, S. Moulthrop, E. Aarseth established hypertext literary theory as a valuable part of literary critique. Now it is necessary to go further and to study samples of hyperfiction. In this paper, a study of “I have said nothing” by J. Yellowlees Douglas is suggested. It uses general approach based on a content/form/linking triad. Each element of the triad will be described in connection with others.","PeriodicalId":420170,"journal":{"name":"Proceedings of the 12th ACM conference on Hypertext and Hypermedia","volume":"32 2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2001-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Out of nothing: in-depth hyperfication study\",\"authors\":\"Inna Kouper\",\"doi\":\"10.1145/504216.504238\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Earlier works by G. Landow, J. D. Bolter, S. Moulthrop, E. Aarseth established hypertext literary theory as a valuable part of literary critique. Now it is necessary to go further and to study samples of hyperfiction. In this paper, a study of “I have said nothing” by J. Yellowlees Douglas is suggested. It uses general approach based on a content/form/linking triad. Each element of the triad will be described in connection with others.\",\"PeriodicalId\":420170,\"journal\":{\"name\":\"Proceedings of the 12th ACM conference on Hypertext and Hypermedia\",\"volume\":\"32 2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2001-09-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 12th ACM conference on Hypertext and Hypermedia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/504216.504238\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 12th ACM conference on Hypertext and Hypermedia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/504216.504238","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
G. Landow、J. D. Bolter、S. Moulthrop和E. Aarseth的早期作品将超文本文学理论确立为文学批评的重要组成部分。现在有必要进一步研究过度完美的样本。本文以道格拉斯的“我什么也没说”为研究对象。它使用基于内容/形式/链接三元组合的通用方法。三和弦的每一个元素都将与其他元素联系起来加以描述。
Earlier works by G. Landow, J. D. Bolter, S. Moulthrop, E. Aarseth established hypertext literary theory as a valuable part of literary critique. Now it is necessary to go further and to study samples of hyperfiction. In this paper, a study of “I have said nothing” by J. Yellowlees Douglas is suggested. It uses general approach based on a content/form/linking triad. Each element of the triad will be described in connection with others.