19世纪伟大的音乐家在雅西大教堂:加夫瑞尔音乐博物馆

Alexandrel Barnea, Svetlana I. Khvatova
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引用次数: 0

摘要

在罗马尼亚东正教会,多年来,在他的真福但以理的倡议下,罗马尼亚东正教会的牧首,每个日历年都致力于一个文化,精神,社会事件或神学主题/神学生活的一部分。从这个意义上说,历年被教会、大学预科和大学神学教育机构组织的科学和文化活动所交叉。这些表现形式是通过专题讨论会、科学大会、音乐会等来实现的。2023年被指定为“尊敬敬老牧师年”。对赞美诗编纂者和教堂歌手来说,这是值得纪念的一年。考虑到总体主题的第二部分,我们不要求详尽,我们建议进一步强调19世纪伟大的音乐人物雅西,加夫瑞尔·穆济塞斯库。文章揭示了他活动的三个本质——教师、唱诗班指挥和作曲家。本文指出了Gavriil Muzycescu在罗马尼亚东正教歌唱发展中的重要作用,并结合俄罗斯作曲家学派在合唱音乐领域的传统及其发展,分析了这位作曲家的精神圣歌的风格特征。以音乐会圣歌“我将宣告你的慈悲”为例,分析其设计特点和属于音乐会风格的风格标志。有人认为作曲家在东正教歌唱传统发展中的作用被低估了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Great musicians in the 19th century at the cathedral of Iasi: Gavriil Musicescu
In the Romanian Orthodox Church, for many years, at the initiative of His Beatitude Daniel, Patriarch of the Romanian Orthodox Church, each calendar year has been dedicated to a cultural, spiritual, social event or theological subject/segment of theological life. In this sense, the calendar year is intersected by scientific and cultural events organized by the Church, institutions of pre-university and university theological education. These manifestations are realized through symposiums and scientific congresses, concerts and the like. 2023 has been named the Year of Respect for the Pastor of the Aged. A memorable year for hymnographers and church singers (psalts). Without claiming to be exhaustive and taking into account the second part of the general theme, we propose to further highlight the great musical personality of Iasi of the 19th century, Gavriil Muzycescu. The article reveals three hypostases of his activity - a teacher, a choirmaster and a composer. The significant role of Gavriil Muzycescu in the development of Orthodox singing in Romania is noted, the stylistic features of the composer's spiritual chants are analyzed in conjunction with the traditions of the Russian composer school in the field of choral music, as well as their development. On the example of the concert chant "I will proclaim Your mercy", its design features and stylistic signs of belonging to the concert style are considered. It is suggested that the role of the composer in the development of the Orthodox singing tradition is underestimated.
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