论失、得、接受与归属:中西部的西班牙语

Elena Foulis, Stacey Alex
{"title":"论失、得、接受与归属:中西部的西班牙语","authors":"Elena Foulis, Stacey Alex","doi":"10.5744/shl.2021.1002","DOIUrl":null,"url":null,"abstract":"In this article, the authors analyze the creation of a performance piece in both English and Spanish with undergraduate students to creatively combine Latina/o/x oral histories and performance artists’ personal experiences as Spanish speakers. Each performer selected an oral history collected by one of the authors in the digital and publicly available archive, Oral Narratives of Latin@s in Ohio. Through a Latino Critical Race Theory framework, and an analysis of the undergraduate student performers’ and audience’s reactions, the authors demonstrate how this kind of performance can be used as a pedagogical tool to strengthen Spanish as a heritage language learners’ sense of belonging in predominantly white educational spaces  by contesting epistemic violence and forging Latina/o/x networks of solidarity. Linguistic and cultural maintenance in the face of racialization is conceptualized as a tool for place-making and social justice, particularly in the Midwestern communities that have experienced backlash to growing Latino presence. The performance provides a model for future artistic work that harnesses the power of community cultural wealth as conceptualized by education and Latina/o studies scholar Tara Yosso (2005). Crucially, rather than insist on cultural and linguistic conformity for the sake of social and political unity, this work critically attends to the diversity among Latina/o/x experiences represented across the performance.","PeriodicalId":134759,"journal":{"name":"Spanish as a Heritage Language","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Loss, Gain, Acceptance and Belonging: Spanish in the Midwest\",\"authors\":\"Elena Foulis, Stacey Alex\",\"doi\":\"10.5744/shl.2021.1002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, the authors analyze the creation of a performance piece in both English and Spanish with undergraduate students to creatively combine Latina/o/x oral histories and performance artists’ personal experiences as Spanish speakers. Each performer selected an oral history collected by one of the authors in the digital and publicly available archive, Oral Narratives of Latin@s in Ohio. Through a Latino Critical Race Theory framework, and an analysis of the undergraduate student performers’ and audience’s reactions, the authors demonstrate how this kind of performance can be used as a pedagogical tool to strengthen Spanish as a heritage language learners’ sense of belonging in predominantly white educational spaces  by contesting epistemic violence and forging Latina/o/x networks of solidarity. Linguistic and cultural maintenance in the face of racialization is conceptualized as a tool for place-making and social justice, particularly in the Midwestern communities that have experienced backlash to growing Latino presence. The performance provides a model for future artistic work that harnesses the power of community cultural wealth as conceptualized by education and Latina/o studies scholar Tara Yosso (2005). Crucially, rather than insist on cultural and linguistic conformity for the sake of social and political unity, this work critically attends to the diversity among Latina/o/x experiences represented across the performance.\",\"PeriodicalId\":134759,\"journal\":{\"name\":\"Spanish as a Heritage Language\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Spanish as a Heritage Language\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5744/shl.2021.1002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Spanish as a Heritage Language","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5744/shl.2021.1002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在这篇文章中,作者分析了用英语和西班牙语与本科生一起创作的表演作品,创造性地将拉丁/o/x的口述历史与行为艺术家作为西班牙语使用者的个人经历结合起来。每位表演者都选择了一段由一位作者收集的口述历史,这些口述历史保存在俄亥俄州Latin@s的数字和公开档案中。通过拉丁裔批判性种族理论框架,以及对本科生表演者和观众反应的分析,作者展示了这种表演如何被用作一种教学工具,通过对抗认知暴力和建立拉丁/o/x团结网络,加强西班牙语作为一种传统语言学习者在以白人为主的教育空间中的归属感。面对种族化,语言和文化的维护被概念化为一种场所创造和社会正义的工具,特别是在中西部社区,拉丁裔的出现日益强烈。该表演为未来的艺术工作提供了一个模型,利用社区文化财富的力量,正如教育和拉丁裔研究学者塔拉·约索(Tara Yosso, 2005)所构想的那样。至关重要的是,这部作品并没有为了社会和政治的统一而坚持文化和语言的一致性,而是批判性地关注了整个表演中所表现的拉丁/o/x经验的多样性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Loss, Gain, Acceptance and Belonging: Spanish in the Midwest
In this article, the authors analyze the creation of a performance piece in both English and Spanish with undergraduate students to creatively combine Latina/o/x oral histories and performance artists’ personal experiences as Spanish speakers. Each performer selected an oral history collected by one of the authors in the digital and publicly available archive, Oral Narratives of Latin@s in Ohio. Through a Latino Critical Race Theory framework, and an analysis of the undergraduate student performers’ and audience’s reactions, the authors demonstrate how this kind of performance can be used as a pedagogical tool to strengthen Spanish as a heritage language learners’ sense of belonging in predominantly white educational spaces  by contesting epistemic violence and forging Latina/o/x networks of solidarity. Linguistic and cultural maintenance in the face of racialization is conceptualized as a tool for place-making and social justice, particularly in the Midwestern communities that have experienced backlash to growing Latino presence. The performance provides a model for future artistic work that harnesses the power of community cultural wealth as conceptualized by education and Latina/o studies scholar Tara Yosso (2005). Crucially, rather than insist on cultural and linguistic conformity for the sake of social and political unity, this work critically attends to the diversity among Latina/o/x experiences represented across the performance.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信