成为艺术诗人

Jennifer L. Ferriss-Hill
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摘要

这一介绍性章节提供了贺拉斯的《诗学》的背景,这是一首476行诗,作为实践诗人不可或缺的指南,被尊崇了1500多年。《诗学》为“更新”文学写作规则的努力提供了蓝图,并启发了众多著名的翻译家和模仿者。然而事实证明,这首诗很难让最近的读者喜欢上。随着它表面上“文学‘大宪章’”的价值的消退,它不再被广泛认为是一份能够真诚地帮助文学创作的文件,《诗歌艺术》开始形成一种根深蒂固的乏味和缺乏艺术性的名声。这种二元性不可避免地与对早期希腊作品的理解联系在一起,这种关系既赋予了《诗学》更大的地位,也注定了它被视为“以前思想的选集,而不是一个思想体系,在这个体系中,每个思想都有自己的位置,作为一个有机统一话语的活跃和灵活的成员。”本书认为,《诗学》本身就是一项完整而卓越的文学成就。并阐明了《诗学》在贺拉斯文集中的重要地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Becoming the Ars Poetica
This introductory chapter provides a background of Horace's Ars Poetica, a 476-line poem revered for over fifteen hundred years as the indispensable guide for practicing poets. Ars Poetica provided a blueprint for efforts at “updated” rules of literary composition and it inspired numerous famous translators and imitators. Yet this poem has proven hard to love for recent readers. As its ostensible value as “a kind of literary 'Magna Carta'” receded and it ceased to be widely regarded as a document that could ever sincerely aid in literary composition, the Ars Poetica came to develop an entrenched reputation of being tedious and devoid of artistry. This duality is inevitably tied up with the understanding of it as modeled upon earlier Greek works, a relation that both granted the Ars Poetica a greater standing and yet doomed it to be seen as “an anthology of previous ideas, not a system of thought in which each idea has its place as a living and flexible member of an organically unified discourse.” This book then considers the Ars Poetica as a complete and exceptional literary achievement in its own right. It also elucidates the key place of the Ars Poetica in the Horatian corpus.
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