PatoČka的艺术哲学和对灵魂的关怀

J. Josl
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引用次数: 0

摘要

苏格拉底关怀灵魂的主题在帕托卡的石板思想中表达了他对人类存在的理解,将其作为一个在真实与不真实之间挣扎的地方。这种倾向不仅与海德格尔及其晚期哲学相悖,也与帕托卡自己早期的主观现象学计划相悖。这篇文章认为,首先,主观性和存在维度的重要性仍然存在于艺术中,其次,艺术代表了帕托卡对灵魂的某种关注。这个论证有三个阶段。首先,我展示了帕托卡所说的灵魂或灵魂体验是什么意思,以及我们应该如何理解“关怀”这个词。我认为帕托卡在灵魂构成的概念下所理解的以自由、危机和物理为其主要特征。第二部分论证了在帕托卡看来,这些特征在艺术中呈现出来。第四部分比较了艺术与哲学作为两种心灵关怀,论证了艺术作为心灵关怀的局限性。我的结论是,与哲学相比,艺术代表了帕托卡对灵魂的有限关怀。然而,根据帕托卡的说法,在目前的情况下,这是唯一剩下的照顾灵魂的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PATOČKA’S PHILOSOPHY OF ART AND CARE FOR THE SOUL
The Socratic theme of care for the soul expresses in Patocka’s late thought his desire to keep the understanding of human existence as a place of turn, metanoia, of struggle between authenticity and inauthenticity. Th is tendency not only goes against Heidegger and his late philosophy, but is also opposed to Patocka’s own earlier project of asubjective phenomenology as well. Th is essay argues, fi rstly, that the importance of subjectivity and existential dimension is still present in art and secondly, that art represents for Patocka sort of care for the soul. Th e argument has three stages. First, I demonstrate what Patocka means by soul or experience of soul and how we should understand the term ‘care.’ I argue that what Patocka understands under the concept of soul consists has freedom, krisis, and physis as its main features. Th e second part demonstrates that in Patocka’s view, these features are present in art. Th e last part compares art and philosophy as two kinds of care for the soul and demonstrates the limits of art as care of the soul. My conclusion is that art represents for Patocka a limited form of care for the soul compared to philosophy. However, according to Patocka, in current situation it is the only way of care for the soul that is left .
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