{"title":"PatoČka的艺术哲学和对灵魂的关怀","authors":"J. Josl","doi":"10.21638/2226-5260-2019-8-2-602-612","DOIUrl":null,"url":null,"abstract":"The Socratic theme of care for the soul expresses in Patocka’s\nlate thought his desire to keep the understanding of human\nexistence as a place of turn, metanoia, of struggle between\nauthenticity and inauthenticity. Th is tendency not only goes\nagainst Heidegger and his late philosophy, but is also opposed\nto Patocka’s own earlier project of asubjective phenomenology\nas well. Th is essay argues, fi rstly, that the importance of\nsubjectivity and existential dimension is still present in art\nand secondly, that art represents for Patocka sort of care for\nthe soul. Th e argument has three stages. First, I demonstrate\nwhat Patocka means by soul or experience of soul and how we\nshould understand the term ‘care.’ I argue that what Patocka\nunderstands under the concept of soul consists has freedom,\nkrisis, and physis as its main features. Th e second part\ndemonstrates that in Patocka’s view, these features are present\nin art. Th e last part compares art and philosophy as two kinds\nof care for the soul and demonstrates the limits of art as care\nof the soul. My conclusion is that art represents for Patocka a\nlimited form of care for the soul compared to philosophy.\nHowever, according to Patocka, in current situation it is the\nonly way of care for the soul that is left .","PeriodicalId":305533,"journal":{"name":"HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PATOČKA’S PHILOSOPHY OF ART AND CARE FOR THE SOUL\",\"authors\":\"J. Josl\",\"doi\":\"10.21638/2226-5260-2019-8-2-602-612\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Socratic theme of care for the soul expresses in Patocka’s\\nlate thought his desire to keep the understanding of human\\nexistence as a place of turn, metanoia, of struggle between\\nauthenticity and inauthenticity. Th is tendency not only goes\\nagainst Heidegger and his late philosophy, but is also opposed\\nto Patocka’s own earlier project of asubjective phenomenology\\nas well. Th is essay argues, fi rstly, that the importance of\\nsubjectivity and existential dimension is still present in art\\nand secondly, that art represents for Patocka sort of care for\\nthe soul. Th e argument has three stages. First, I demonstrate\\nwhat Patocka means by soul or experience of soul and how we\\nshould understand the term ‘care.’ I argue that what Patocka\\nunderstands under the concept of soul consists has freedom,\\nkrisis, and physis as its main features. Th e second part\\ndemonstrates that in Patocka’s view, these features are present\\nin art. Th e last part compares art and philosophy as two kinds\\nof care for the soul and demonstrates the limits of art as care\\nof the soul. My conclusion is that art represents for Patocka a\\nlimited form of care for the soul compared to philosophy.\\nHowever, according to Patocka, in current situation it is the\\nonly way of care for the soul that is left .\",\"PeriodicalId\":305533,\"journal\":{\"name\":\"HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES\",\"volume\":\"42 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/2226-5260-2019-8-2-602-612\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/2226-5260-2019-8-2-602-612","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Socratic theme of care for the soul expresses in Patocka’s
late thought his desire to keep the understanding of human
existence as a place of turn, metanoia, of struggle between
authenticity and inauthenticity. Th is tendency not only goes
against Heidegger and his late philosophy, but is also opposed
to Patocka’s own earlier project of asubjective phenomenology
as well. Th is essay argues, fi rstly, that the importance of
subjectivity and existential dimension is still present in art
and secondly, that art represents for Patocka sort of care for
the soul. Th e argument has three stages. First, I demonstrate
what Patocka means by soul or experience of soul and how we
should understand the term ‘care.’ I argue that what Patocka
understands under the concept of soul consists has freedom,
krisis, and physis as its main features. Th e second part
demonstrates that in Patocka’s view, these features are present
in art. Th e last part compares art and philosophy as two kinds
of care for the soul and demonstrates the limits of art as care
of the soul. My conclusion is that art represents for Patocka a
limited form of care for the soul compared to philosophy.
However, according to Patocka, in current situation it is the
only way of care for the soul that is left .