浅墓与空墓:中国天下观念下的死亡建筑

V. Hayaert
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引用次数: 0

摘要

我们目前正在经历的冠状病毒造成的破坏性局势揭示了对自我隔离、灾难程度和脆弱感的各种说法。无处不在的面具、超现实的服装、医护服以及许多墓地场景都对我们对死亡的表达提出了质疑。一种悲怆的距离之情已经形成,欧洲机场停机坪上发生了令人难以置信的口罩争夺战:从野蛮到人道主义,这场大流行病揭示了我们现代社会的燃烧伤疤。作为对死亡的提醒,持续的灾难成为哲学反思的机会,挑战世俗民主的基本假设,迫切需要重新思考自然与文化之间的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shallow Graves and Empty Tombs: The Architecture of Death under the Chinese Concept of Tianxia
The disruptive situation caused by the Corona virus we are currently experiencing reveals various narratives of self-isolation, levels of catastrophe and an acute sense of our vulnerability. The ubiquitous masks, surreal outfits, health care gowns as well as the many graveyard scenes pose questions regarding our representations of death. An elegiac pathos of distance has developed, unbelievable fights over stocks of masks on European airports tarmacs have occurred: from savagery to humanitarianism, this pandemic has revealed the burning scars of our modern societies. As a reminder of mortality, the ongoing disaster becomes the occasion for a philosophical reflection, challenging the founding assumptions of secular democracy with an urgent need to rethink the relationship between nature and culture.
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