津巴布韦小说中的男女主人公

Tanaka Chidora
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摘要

这篇论文的灵感来自于我在津巴布韦哈拉雷(Harare)的书屋(Book cafe)做的一次关于津巴布韦小说中的男女主人公的演讲。在他们邀请我的时候,我的东道主已经提出了一个明确界定的准则,谁是英雄和女英雄,并将这些英雄和女英雄与他们所谓的“我们”社会的“尊敬”价值观联系起来。我的回应不是遵循这个模板,而是创建一个独立的解构主义分类法,质疑这样的假设。这个解构主义的冒险是基于这样一种信念,即英雄/女主角对每个人来说都是不一样的,尤其是在独立后的津巴布韦社会,这种社会的特点是与独立的承诺相去甚远。因此,在一个由于各种因素而推迟独立的国家,包括其治理形式以保护公民的名义对其公民实施暴力的领导人,对英雄/女英雄和受人尊敬的价值观的单一观点需要受到质疑。津巴布韦文学提供了一个清单,拒绝迎合我的东道主的模板,正是这个清单,我曾经质疑津巴布韦是一个庞大,幸福和团结的民族家庭的假设,因为根据它的许多文学文本,我们拥有的是一个反乌托邦的家庭,仍在努力寻找自己的道路,并定义它的英雄/女主角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Heroes and Heroines in Zimbabwean Fiction
This paper was developed from a talk that I gave on heroes and heroines in Zimbabwean fiction at the now defunct Book Café in Harare, Zimbabwe. By the time they invited me, my hosts had already come up with a clearly demarcated guideline of who heroes and heroines are, and connected these heroes and heroines to what they called 'revered' values of 'our' society. My response was not to follow that template, but to create a separate deconstructionist taxonomy that questioned such an assumption. This deconstructionist adventure was based on the belief that heroes/heroines are not the same for everyone, especially in a post-independence Zimbabwean society characterised by conditions that are far removed from the promises of independence. Thus, in a country whose independence has been postponed because of various factors, including a leadership whose form of governance involves violence against its citizens in the name of protecting them, a monolithic view of heroes/heroines and revered values needs to be interrogated. Zimbabwean literature offers an inventory that refuses to pander to my hosts' template, and it is this inventory that I used to question the assumption that Zimbabwe was one, huge, happy and united national family because based on its many literary texts, what we have is a dystopian family still trying to find its way and define its heroes/heroines.
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