Àngels Viladomiu, Àngel Romo
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引用次数: 0

摘要

苏珊娜·达维特(巴黎,1897年-巴塞罗那,1973年)鲜为人知,尽管她的遗产与20世纪早期和中期的加泰罗尼亚植物插图有关。像Pius Font i Quer这样的伟大植物学家非常重视她捕捉自然的独特方式。作为一名女性和艺术家,她对自然充满热情,对科学也非常好奇,她对植物的表现与当时的典型作品不同。她的创新被解读为一种对占主导地位的父权对话的另类艺术话语和女性触摸的表现。查阅未发表的文件——Davit与一位朋友的通信——使得重建她作品的一些关键方面成为可能,包括对花的审美提升和性别视角之间的十字路口。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Madame Davit: Gaudir de la natura: La il·lustració botànica des de la perspectiva de gènere
Suzanne Davit (Paris, 1897 – Barcelona, 1973) is little known and studied, despite the relevancy of her legacy to the Catalan botanical illustration of the early and mid-20th century. Great botanists such as Pius Font i Quer greatly valued her unique way of capturing nature. As a woman and an artist who was passionate about nature and who was also scientifically very curious, her representation of plants was different from the typical work of the time. Her innovations are interpreted as an alternative artistic discourse to the dominant patriarchal dialogue and a manifestation of the female touch. Access to unpublished documents – Davit's correspondence with a friend – has made it possible to reconstruct some of the key aspects of her work, involving the crossroads between the aesthetic exaltation of flowers and a gender perspective.
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