创伤与言语:奥马尔·艾尔·阿卡德反乌托邦小说中的创伤记忆

Hasanul Rizqa
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引用次数: 0

摘要

本文探讨了奥马尔·埃尔·阿卡德反乌托邦小说《美国战争》中对个人创伤的文学刻画。本研究的目的有两个:(1)确定战争受害者的创伤记忆从第一代传递给下一代的方式;(2)了解叙述者如何构建他关于美国和世界未来的话语。本研究采用描述定性方法。研究者使用了Christa Schönfelder的后现代创伤文本理论。本研究表明,主要叙述者选择将萨拉定位为战争受害者,而不是生物种族灭绝的肇事者,这使得萨拉创伤记忆的叙述具有政治性。它揭示了第一代对个人叙述的渴望变得不可叙述,而第二代/第三代对创伤之外的未来的渴望。结论证明,《美国战争》包含了从破坏性经历中寻求稳定的过程,这是面对反乌托邦未来时叙事需求的一个关键方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wounds and Words: The Traumatic Memory in Omar El Akkad’s Dystopian Novel
This paper discusses the literary portraying of personal trauma in Omar El Akkad’s dystopian novel American War. The purpose of this research is twofold:  (1) identify the way in which the traumatic memory of war victims is transmitted from the first generation to next generation and (2) understand how the narrator constructs his discourse about the future of America and the world. The method used in this research is descriptive qualitative. The researcher uses Christa Schönfelder’s theory on postmodern trauma texts. This research shows that the main narrator’s choice to positioning Sarat as a war victim, not a perpetrator of biological genocide, makes the narrative of Sarat’s traumatic memory political. It exposes that the first generation’s desire for personal narration becomes unnaratable, and that there is second/third generation’s urge for a future beyond trauma. The conclusion proves that American War contains the quest for stability out of disruptive experiences, constituting a crucial aspect of the need for narrative in the face of a dystopian future.
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