后殖民时期意大利女性写作中殖民鬼魂的体现

Noreen Kane
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引用次数: 0

摘要

虽然意大利在非洲的殖民主义是意大利历史的一个方面,在过去三十年中开始受到学术界的关注,但它仍然在许多意大利人的集体记忆之外。与主流文化意识的缺乏相反,文学作品的激增,主要是来自意大利在东非的前殖民地的女性作家,填补了历史上的遗漏,重要的是,为殖民创伤的性别经验提供了跨国的声音。这些作者中的许多人都突出了女性在殖民主义及其遗产中的肉体经历。我的博士论文探讨了性别殖民创伤的表现及其通过女性身体的代际传播。我研究了从2007年至今,索马里和埃塞俄比亚女作家创作的一系列文学作品。他们的作品跨越语境和语言(意大利语和英语),但每个人都以高度具体化的方式叙述殖民历史,为战后至今主流意大利文学所提供的怀旧、神话化的史学提供了另一种话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Embodying colonial ghosts in postcolonial Italian women's writing
While Italian colonialism in Africa is an aspect of Italy’s history that has started to receive academic attention in the last three decades, it remains outside the collective memory of many Italians. In opposition to this lack of mainstream cultural awareness, a proliferation of literary works has been produced, predominantly by female writers with origins in Italy’s former colonies in East Africa, filling in the historical omissions and, importantly, providing a transnational voice to gendered experiences of colonial trauma. Many of these authors foreground the female corporeal experience of colonialism and its legacy. My PhD thesis explores the representation of gendered colonial trauma and its intergenerational transmission through the female body. I examine a range of literary texts by women writers with origins in Somalia and Ethiopia, dating from 2007 to the present. Their work ranges across contexts and languages (Italian and English), yet each narrates colonial history in a highly embodied way, providing an alternative discourse to the nostalgic, mythologising historiography offered by mainstream Italian literature from the post-war period to the present.
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