奥地利和德国的历史与寓言

Helen Watanabe-O’kelly
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引用次数: 0

摘要

奥地利和德意志帝国的基础神话的戏剧表演,要么是盛装游行和游行,要么是剧院特别委托的戏剧,在周年纪念日和重要的周年纪念日上演。在奥地利,最重要的是1908年弗朗茨·约瑟夫(Franz Joseph)的钻石周年庆典,当时在维也纳举行了一场有1.2万名非专业人士参加的游行,同时舞台上还展示了这个国家神话的其他元素。1896年至1914年间,威廉二世积极推动威斯巴登的皇家戏剧节,霍亨索伦王朝的部分神话被改编成戏剧。1897年,在威廉一世诞辰100周年之际,恩斯特·冯·威尔登布鲁赫的诗歌剧《威廉》在柏林上演,这部诗歌剧以寓言的形式将威廉一世刻画成从邪恶的法国人手中拯救德国的英雄。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging Empire as History and Allegory in Austria and Germany
Theatrical presentations of the foundational myths of the Austrian and German empires, either as costumed processions and pageants or as specially commissioned plays for the theatre, were staged on anniversaries and important jubilees. In Austria, the most important was Franz Joseph’s Diamond Jubilee in 1908, when a pageant of 12,000 lay participants took place in Vienna, while other elements of the national myth were presented on the stage. Wilhelm II played an active part in promoting the imperial theatre festival in Wiesbaden between 1896 and 1914, for which parts of the Hohenzollern myth were dramatized. In 1897, on Wilhelm I’s hundredth birthday, Ernst von Wildenbruch’s Willehalm was performed in Berlin, a verse drama presenting Wilhelm I in allegorical form as the hero who rescued Germany from the evil French.
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