爵士时代

T. Gioia
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引用次数: 0

摘要

这一章追溯了路易斯·阿姆斯特朗在20世纪20年代成为明星的过程,以及爵士乐作为定义这十年音乐的出现——这一时期现在通常被称为“爵士时代”。阿姆斯特朗的历史性录音,“热五”和“热七”,以及他与有影响力的钢琴家厄尔·海恩斯的合作进行了评估。这些发展都是在芝加哥在这个时代的爵士乐世界中日益重要的背景下进行的,以及这种地理变化带来的风格变化。本章还介绍了芝加哥爵士乐的主要代表人物,特别是小号手比克斯·贝德贝克和萨克斯管演奏家弗兰基·特朗鲍尔,以及保罗·怀特曼、皮威·拉塞尔、西德尼·贝克特和杰克·蒂加登的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Jazz Age
This chapter traces the rise of Louis Armstrong to stardom during the 1920s, and the emergence of jazz as the defining music of the decade—a period now often called the “Jazz Age.” Armstrong’s historic recordings, the “Hot Fives” and “Hot Sevens,” are assessed, as well as his work with influential pianist Earl Hines. These developments are placed in the context of the growing importance of Chicago in the jazz world of this era, and the stylistic changes brought about by this geographical shift. The chapter also looks at the leading exponents of Chicago jazz, especially cornetist Bix Beiderbecke and saxophonist Frankie Trumbauer, as well as the work of Paul Whiteman, Pee Wee Russell, Sidney Bechet, and Jack Teagarden.
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