{"title":"爵士时代","authors":"T. Gioia","doi":"10.1093/OSO/9780190087210.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter traces the rise of Louis Armstrong to stardom during the 1920s, and the emergence of jazz as the defining music of the decade—a period now often called the “Jazz Age.” Armstrong’s historic recordings, the “Hot Fives” and “Hot Sevens,” are assessed, as well as his work with influential pianist Earl Hines. These developments are placed in the context of the growing importance of Chicago in the jazz world of this era, and the stylistic changes brought about by this geographical shift. The chapter also looks at the leading exponents of Chicago jazz, especially cornetist Bix Beiderbecke and saxophonist Frankie Trumbauer, as well as the work of Paul Whiteman, Pee Wee Russell, Sidney Bechet, and Jack Teagarden.","PeriodicalId":418355,"journal":{"name":"The History of Jazz","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Jazz Age\",\"authors\":\"T. Gioia\",\"doi\":\"10.1093/OSO/9780190087210.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter traces the rise of Louis Armstrong to stardom during the 1920s, and the emergence of jazz as the defining music of the decade—a period now often called the “Jazz Age.” Armstrong’s historic recordings, the “Hot Fives” and “Hot Sevens,” are assessed, as well as his work with influential pianist Earl Hines. These developments are placed in the context of the growing importance of Chicago in the jazz world of this era, and the stylistic changes brought about by this geographical shift. The chapter also looks at the leading exponents of Chicago jazz, especially cornetist Bix Beiderbecke and saxophonist Frankie Trumbauer, as well as the work of Paul Whiteman, Pee Wee Russell, Sidney Bechet, and Jack Teagarden.\",\"PeriodicalId\":418355,\"journal\":{\"name\":\"The History of Jazz\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The History of Jazz\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780190087210.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The History of Jazz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190087210.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter traces the rise of Louis Armstrong to stardom during the 1920s, and the emergence of jazz as the defining music of the decade—a period now often called the “Jazz Age.” Armstrong’s historic recordings, the “Hot Fives” and “Hot Sevens,” are assessed, as well as his work with influential pianist Earl Hines. These developments are placed in the context of the growing importance of Chicago in the jazz world of this era, and the stylistic changes brought about by this geographical shift. The chapter also looks at the leading exponents of Chicago jazz, especially cornetist Bix Beiderbecke and saxophonist Frankie Trumbauer, as well as the work of Paul Whiteman, Pee Wee Russell, Sidney Bechet, and Jack Teagarden.