集体审美意识的模型

Sherry Mayo
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引用次数: 5

摘要

在20世纪,现代媒体诞生了,并被视为工业工厂模型机器。这些强大的媒体,如电影、广播和电视,将文化传播给被动的大众(Enzensberger, 1974)。这些艺术形式脱离了仪式和真实性,并被复制以加强其实力(Benjamin, 1936)。在21世纪的后媒体环境中,在多对多社交网络战略的推动下,一种社会意识的趋同和进化过程正在进行。Web 2.0技术是集体主义审美意识出现的催化剂。随着后工业社会的预言(Bell, 1973)的实现,后媒体社会出现了,其对知识的追求依赖于以物易物的信息经济。本文确定了这种最近的范式转变的概念模型,并确定了一些正在出现的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Model for a Collective Aesthetic Consciousness
During the 20th century, the modern media was born and viewed as an industrial factory-model machine. These powerful media such as film, radio, and television transmitted culture to the passive masses (Enzensberger, 1974). These art forms were divorced of ritual and authenticity and were reproduced to reinforce their prowess (Benjamin, 1936). In the 21st-century post-media condition, a process of convergence and evolution toward a social consciousness, facilitated by a many-to-many social network strategy, is underway. Web 2.0 technologies are a catalyst toward an emergence of a collectivist aesthetic consciousness. As the prophecy of a post-industrial society (Bell, 1973) becomes fulfilled, a post-media society emerges whose quest is for knowledge dependent upon an economy that barters information. This paper identifies a conceptual model of this recent paradigm shift and to identify some of the possibilities that are emerging.
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