在边缘上:马芒戴诗文传说中的性别次等主题

Aninnya Sarkar, Dr.IndraniSingh Rai.
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引用次数: 0

摘要

无论是前殖民时代、殖民时代还是后殖民时代,印度东北部土著部落妇女的问题都没有太大改变。同样的场景也反映在戴玛芒的《盆子传说》中,边缘女性一直保持着同样的形态和痛苦。这些性别化的次等人要么默默承受着命运的折磨,要么在自己划定的有限疆域里约束自己,以求生存。多年来,这些公平的性别不仅被殖民地或精英大众所忽视和剥削,而且还被印度社会设计的父权结构所忽视和剥削。各种各样的变化和不确定性已经触及了阿迪部落土地上的前提,将妇女置于传统与现代之间。戴在她的作品中试图描绘阿迪族妇女的挣扎处境,她们如何抵制和悄悄地应对这些变化,独特地塑造了自己的身份。考虑到土著妇女的沉默和沉默的存在,本文真诚地尝试倾听这些妇女的声音,或者给她们一个机会,在印度大陆和世界的眼中带来她们生存的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
With the Margin: The Theme of Gendered Subaltern in Mamang Dai’s Legends of Pensam
Whether it is the pre-colonial, colonial, or post-colonial era, the problems of the indigenous tribal women of North-East India have not changed much. The same scenario is reflected in Mamang Dai’s Legends of Pensam as the women on margin have always retained in the same shape and misery. The gendered subalterns have been suffering in silence accepting their fate or restricting themselves amid their limited demarcated territory in order to survive. Over the years, these fair sexes are not only being ignored and exploited, under the hands of the colonial or elitist masses but also by the patriarchal structure designed in the Indian society. Various types of changes and uncertainties have touched the premises in the land of the Adi tribes, placing the women somewhere inbetween tradition and modernity. Dai in her work has tried to portray the scuffling situations of the Adi women, how they have resisted and quietly tackled those changes, uniquely sculpting their own identity. Keeping those silences and muted existences of the indigenous women in mind, this paper is an earnest attempt to hear the voices of those women or give them a chance to bring their survival complexities in the eyes of mainland India and the world.
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