范妮勋爵,酷儿表演和巫毒娃娃

H. Magalhães, Dandara Palankof e Cruz
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引用次数: 0

摘要

本文分析了DC漫画公司旗下Vertigo出版的漫画《the invisible》中的人物范妮勋爵(Lord Fanny)的结构。由格兰特·莫里森(Grant Morrisson)撰写的《超人》系列不仅是对超级英雄类型的一种新方法,也是对世界观和作者经历的一种转换,目的是改变我们自己的现实——用莫里森的话来说,是某种“巫毒娃娃”。尤其是范妮勋爵——一个墨西哥血统的巴西异装女巫——为主流漫画带来了酷儿的审美体验,打破了该类型常见的标准异性恋规范,使系列提案更接近谢尔盖·莫斯科维奇(Serge Moscovici)关于大众传播在当前社会表现形式转型中的基本作用的主张。关键词:漫画,社会再现,酷儿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lord Fanny, representação queer e um boneco vodu para o mundo
This article presents an analysis of the construction of the character Lord Fanny, from the comic book The Invisibles , published by Vertigo – a DC Comics publishing label. Written by Grant Morrisson, the series was not only a new approach to the genre of superheroes but also a transposition of the worldview and of the author’s experiences, in order to transform our own reality – in the words of Morrisson, some sort of “voodoo doll”. Lord Fanny, in particular – a Brazilian transvestite witch of Mexican descent –, brought to the mainstream comics the aesthetic experience of the queer, breaking the standard heteronormativity common to the genre and bringing the series proposal closer to Serge Moscovici’s proposition on the fundamental role of Mass communication in the transformation of the current representations in society. Keywords: comic books, social representation, queer.
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