电子音乐:初级阶段

R. Vlad
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引用次数: 0

摘要

电子音乐最早出现于20世纪50年代,是声学研究人员和作曲家们严谨而顽强的劳动成果,他们尝试并成功地建立了一个新的声音世界。电子音乐引领了声音艺术的进化,这是前所未有的。这一方向的杰出作曲家——皮埃尔·谢弗、皮埃尔·亨利、埃德加·瓦尔德尼斯、赫伯特·艾莫特、卡尔海因茨·施托克豪森、弗拉基米尔·乌萨切夫斯基、路易吉·诺诺——在音乐的发展中起着决定性的作用。早在20世纪初,文献中就提到了创作者的存在,他们真正的愿望是找到原创的解决方案,永久地改变音乐,打破音乐的障碍,从而使音乐在表达方面向各种方向发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Electronics in Music: Preliminary Stages
With a first recorded appearance dating around the 1950s, electronic music – the fruit of rigorous and tenacious labour by acoustician-researchers and composers who tried and succeeded in imposing a new sound-universe – channelled the evolution of the art of sounds as nothing before it. Prominent composers of the orientation – Pierre Schaeffer, Pierre Henry, Edgar Varèse, Herbert Eimert, Karlheinz Stockhausen, Vladimir Ussachevsky, Luigi Nono – had a determinant role in the way music expanded. The literature mentions as early as the beginning of the 20th century the existence of creators with a true calling for identifying original solutions to permanently transform music, breaking its barriers and thus allowing it to develop, expression-wise, in a variety of directions.
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