狄德罗在《拉莫的侄子》和《宿命论的雅克和他的主人》中的父亲和父亲

Hashim Al-Hibshi
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引用次数: 0

摘要

本研究首先通过确立父亲的突出角色,体现了《新拉莫》和《宿命者雅克》中父亲的形象。在18世纪下半叶,一场关于教育和父亲在抚养和教育孩子方面的影响程度的大争论出现了。从这里开始,我们将试图通过哲学家丹尼斯·狄德罗的文学和语言内涵来展示18世纪教育的功效和地位,以及父亲作为道德榜样的教育能力。在本研究的最后,我们可以得出结论,狄德罗的父亲形象呈现出丰富而鲜明的方面,因为他们对经典喜剧中父亲的角色非常敏感。此外,对话、哑剧等文学形式的使用也很好地服务于这种复杂性。总而言之,为人父母源于它的复杂性和神秘性,源于它与许多其他情感的交织。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Le Pere et la Paternite chez Diderot dans "Le Neveu de Rameau" et "Jacques le Fataliste et Son Maitre"
This study embodies a parental father's image in "Le Neveu de Rameau" and "Jacques le Fataliste" first and foremost, and above all else, by establishing the prominent role of a father. In the second half of the 18th century, a great debate arose on the education and extent of a father's influence in the upbringing and education of his children. From there we will try to show, through the literary and linguistic connotations of the philosopher Denis Diderot, the efficacy and status of education in the 18th century and the educational capacity of fathers as ethical role models. At the end of this study, we can conclude that the paternal image of Diderot presents rich and contrasting aspects on account of them being very sensitive to fatherhood as presented by classic comedy. In addition, the use of literary forms such as Dialogue, Pantomime, etc., serves this complexity well. All in all, parenthood stems from its complexity and enigma from its intertwining with many other emotions.
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