{"title":"圣水之舞","authors":"Anak Agung Gde Agung Rahma Putra, I. N. Sedana","doi":"10.31091/lekesan.v5i1.1646","DOIUrl":null,"url":null,"abstract":"The Dance of Sacred Water featuring water in culture and religion is a brand new dance uniquely choreographed and presented for the academic commitees and the public audiences as part of an academic requirement to complete my Ph.D degre in Dance Department, Indonesian Arts Institute Surakarta, Middle-Java. The original title of this Ph.D final performance dissertation in local language is “Tari We Beji Langon” (literary means the Dance of Aqua Culture and Religion), presented in a newly chorepgraphed dance composition integrating dance, narration, song, and gamelan music. It is designed as a site specific choreography, inspired by the significant values of water surrounding the Beji Langon water spring. Located in Kapal Village, Mengwi District, Badung Regency, this water spring is still preserved by the local community as holy hydrospherec resorces. Choreographed and performed surrounding this natural environment instead of in a conventional theatre, the dance portrays elevating aqua culture in upgrading level of human purposes. The dacers start from the river where water employed in profane daily life, then they move to the outpouring water for various Hindu ritual ceremonies, until finally recounting holy water as tirtha from spring water for spiritual purification. This dance depicts ascending realms of profane-ordinary-sacred water according to the use of water in various aspects of Balinese Hindu community as often mentioned in Balinese lontar manuscripts. This choreography is the result of exploration on aqua culture among Balinese people who have recently begun to experience abrasion. Based on practice-based research this dance aims to convey the values of local Balinese wisdom regarding the essential role of water in the sociocultural and religious life of the Hindu Bali community. The performance of this dance is expected to reinforce the awareness and enlightenment of the local people around the location of the Beji Langon bathing area to always maintain the cleanliness and purity of the water and to preserve its surrounding environment.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dance Of Sacred Water\",\"authors\":\"Anak Agung Gde Agung Rahma Putra, I. N. 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引用次数: 0
摘要
《圣水之舞》以水的文化和宗教为主题,是一种全新的舞蹈,是为学术委员会和公众观众编排的,是我在中爪哇苏拉arta印度尼西亚艺术学院舞蹈系完成博士学位的学术要求的一部分。本博士期末表演论文原题目为“Tari We Beji Langon”(文学意为水文化与宗教之舞),以全新编排的舞蹈作品呈现,集舞蹈、叙事、歌曲、佳美兰音乐于一体。它被设计为一个特定的场地编排,灵感来自于贝吉兰岗泉水周围的水的重要价值。该泉水位于巴东摄政蒙维区卡帕尔村,至今仍被当地社区作为神圣的水圈资源保存下来。舞蹈在这个自然环境中编排和表演,而不是在传统的剧院里,舞蹈描绘了提升人类目的水平的水族文化。舞者们从日常生活用水的河流开始,然后他们转移到各种印度教仪式的流出水,直到最后将圣水作为净化精神的泉水的提尔塔。这种舞蹈描绘了亵渎-普通-圣水的上升领域,根据巴厘岛印度教社区在各个方面对水的使用,这在巴厘岛lontar手稿中经常提到。这种舞蹈是最近开始经历磨损的巴厘岛人对水文化进行探索的结果。基于实践研究,这个舞蹈旨在传达巴厘岛当地智慧的价值观,即水在印度教巴厘岛社区的社会文化和宗教生活中的重要作用。这种舞蹈的表演是为了加强当地人民对贝吉兰岗浴场所在地的认识和启蒙,以保持水的清洁和纯净,并保护周围的环境。
The Dance of Sacred Water featuring water in culture and religion is a brand new dance uniquely choreographed and presented for the academic commitees and the public audiences as part of an academic requirement to complete my Ph.D degre in Dance Department, Indonesian Arts Institute Surakarta, Middle-Java. The original title of this Ph.D final performance dissertation in local language is “Tari We Beji Langon” (literary means the Dance of Aqua Culture and Religion), presented in a newly chorepgraphed dance composition integrating dance, narration, song, and gamelan music. It is designed as a site specific choreography, inspired by the significant values of water surrounding the Beji Langon water spring. Located in Kapal Village, Mengwi District, Badung Regency, this water spring is still preserved by the local community as holy hydrospherec resorces. Choreographed and performed surrounding this natural environment instead of in a conventional theatre, the dance portrays elevating aqua culture in upgrading level of human purposes. The dacers start from the river where water employed in profane daily life, then they move to the outpouring water for various Hindu ritual ceremonies, until finally recounting holy water as tirtha from spring water for spiritual purification. This dance depicts ascending realms of profane-ordinary-sacred water according to the use of water in various aspects of Balinese Hindu community as often mentioned in Balinese lontar manuscripts. This choreography is the result of exploration on aqua culture among Balinese people who have recently begun to experience abrasion. Based on practice-based research this dance aims to convey the values of local Balinese wisdom regarding the essential role of water in the sociocultural and religious life of the Hindu Bali community. The performance of this dance is expected to reinforce the awareness and enlightenment of the local people around the location of the Beji Langon bathing area to always maintain the cleanliness and purity of the water and to preserve its surrounding environment.