基于依恋,关系,精神分析的音乐治疗:创伤后与被收养者协调的音乐时刻的意义,以及这可能如何影响依恋的更广泛的修复

Joy Gravestock
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引用次数: 1

摘要

本文总结了作者近年来在收养家庭中发展音乐治疗模式的临床经验。它构建了收养发生的多机构背景,因为它有助于治疗师在收养社区工作时了解背景、过程和程序。作者的模型随着流程和程序的变化而发展,最初于2015年被纳入立法,并在2016年至2018年期间见证了随后的实践发展。这篇文章探讨了重要的关系和音乐时刻,因为他们发生在音乐治疗与儿童和年轻人谁经历了重大创伤之前被收养。它构成了作者当前研究的一部分,强调了客户和治疗师在主体间关系中的重要性,其中调谐和依恋是中心。它强调了这种工作的长期性,以及为什么这对于复杂依恋问题的关系音乐治疗至关重要。作者并没有打算正式研究她的作品,但很明显,在治疗室里的经历是需要分享的“说话”故事。家庭重视音乐疗法作为一种改变关系的方式,并希望分享他们的经验,以便其他人受益。这篇文章旨在为所有不熟悉这一领域的心理治疗师提供当代收养世界的指南,并将当前的理论与实践中的案例结合起来,以突出音乐治疗在当代收养中的相关性。它介绍了音乐疗法作为一种感官和情感负载的媒介,对于那些可能难以描述创伤性早期生活经历对儿童影响的家庭来说,可能是一种有益的干预选择。所有客户都已制成复合材料,并已同意此过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Attachment-based, relational, psychoanalytic music therapy: the significance of musical moments of attunement with adoptees after trauma, and how this may influence broader reparation with attachments
This article summarises the author's clinical experiences over recent years of evolving a modality for music therapy with adoptive families. It frames the multi-agency context that adoption happens within as it is helpful for therapists to be aware of context, process and procedure when working within the adoption community. The author's model developed as process and procedure changed and were incorporated into legislation initially during 2015, and as the author witnessed ensuing practice developments during 2016 to 2018. The article explores significant relational and musical moments as they occurred in music therapy with children and young people who had experienced significant trauma prior to being adopted. It forms part of the author's current research which highlights the importance of both client and therapist in the intersubjective relationship, where attunement and attachment are central. It emphasises the long-term nature of such work and why this is deemed essential for relational music therapy with complex attachment issues. The author did not set out with the intent of researching her work formally, but it was apparent that experiences in the therapy room were "speaking" stories that needed sharing. Families were valuing music therapy as a modality for relational change and wanted to share their experiences so that others may benefit. The article is envisaged as providing a guide to the world of contemporary adoption for all psychotherapists unfamiliar with this territory and incorporates current theory alongside case examples from practice to highlight the relevance of music therapy within contemporary adoption. It offers an introduction to how music therapy as a sensorial and affect-laden medium might be a helpful choice of intervention with families who may struggle to describe the impact of traumatic early life experiences on children. All clients have been made into composites and there has been consent to this process.
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