从分析哲学到哲学分析:阿瑟·丹托对美学思想形成的分析方法

Pengju Zhang, Haijing Liang
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摘要

丹托的分析美学在分析美学史上占有重要的理论地位。如果说“艺术世界”理论是丹托运用分析哲学方法分析艺术作品的有益尝试;那么《平凡的变形》可以说是成功地运用了丹托的分析美学理论来解释和批判艺术实践活动,标志着丹托分析美学的正式形成;《艺术的终结》的出版标志着其分析美学思想的消解和艺术理论向哲学的回归。从“艺术世界”到“平凡的变形”到“艺术的终结”可以看出,丹托的分析美学发展始于哲学,终结于哲学的理论途径;本文对理解当代艺术的意义具有一定的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analytical Philosophy to Philosophical Analysis: Arthur C. Danto’s Analytical Approach to the Formation of Aesthetic Thought
Arthur C. Danto's analytical aesthetics occupies an important theoretical position in the history of analytical aesthetics. If the "Artworld" theory is a useful attempt by Danto to use analytical philosophical methods to analyze works of art; then "The Transfiguration of the Commonplace" can be said to be the successful application of Danto's theory of analytical aesthetics to explain and criticize art practice activities, marking the formal formation of Danto's analytical aesthetics; the publication of "The End of Art" marks the dissolution of its analytical aesthetic thought and the return of its artistic theory to philosophy. It can be seen from the "Artworld" through "The Transfiguration of the Commonplace" to "The End of Art" that Danto's analytical aesthetics development begins with philosophy and ends with the theoretical approach of philosophy; the article has certain value for understanding the significance of contemporary art.
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