痕迹、碎片与空洞:一位代表底特律消失家园的艺术家

W. Sage
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引用次数: 0

摘要

摘要:《乡愁系列》(Homesickness Series)是一个正在进行的单色水墨画系列,它以一种肖像的形式描绘了美国底特律的个体住宅的立面。如果对失去或濒临灭绝的家园的个人描绘可以被视为他们曾经居住的居民的肖像,如果家园是记忆的场所和容器,那么渲染的窗户和门就可以作为进入家庭内部的文字和心理通道,以及与之相关的生活经历和记忆的心灵内部场所。作为代表底特律的一种纠正措施,我的实践使用视觉或书面手段向我的作品的观众提供经常被忽视的历史背景,以阐明企业遗弃、住房隔离、高速公路建设和白人逃亡导致城市当前挑战的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Traces, Fragments and Voids: An Artist Representing Detroit's Vanishing Homeland
Author(s): Sage, Whitney Lea | Abstract: Homesickness Series, an ongoing series of monochromatic ink paintings modeled after tintype photography, frames the facades of individual homes in Detroit as a form of portraiture. If individual depictions of lost or endangered homes can be seen as portraits of the residents they once contained, and if homes are sites and containers of memory, then rendered windows and doors serve as both literal and psychological passageways into the interior of the home and the interior sites of the mind with its associated lived experiences and memories. As a corrective measure in representing Detroit, my practice uses visual or written means to provide the audience of my work with oft-overlooked historical contexts to illuminate the ways corporate abandonment, housing segregation, highway construction, and white flight led to the city’s present day challenges.
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