{"title":"痕迹、碎片与空洞:一位代表底特律消失家园的艺术家","authors":"W. Sage","doi":"10.5070/r73151221","DOIUrl":null,"url":null,"abstract":"Author(s): Sage, Whitney Lea | Abstract: Homesickness Series, an ongoing series of monochromatic ink paintings modeled after tintype photography, frames the facades of individual homes in Detroit as a form of portraiture. If individual depictions of lost or endangered homes can be seen as portraits of the residents they once contained, and if homes are sites and containers of memory, then rendered windows and doors serve as both literal and psychological passageways into the interior of the home and the interior sites of the mind with its associated lived experiences and memories. As a corrective measure in representing Detroit, my practice uses visual or written means to provide the audience of my work with oft-overlooked historical contexts to illuminate the ways corporate abandonment, housing segregation, highway construction, and white flight led to the city’s present day challenges.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Traces, Fragments and Voids: An Artist Representing Detroit's Vanishing Homeland\",\"authors\":\"W. Sage\",\"doi\":\"10.5070/r73151221\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Author(s): Sage, Whitney Lea | Abstract: Homesickness Series, an ongoing series of monochromatic ink paintings modeled after tintype photography, frames the facades of individual homes in Detroit as a form of portraiture. If individual depictions of lost or endangered homes can be seen as portraits of the residents they once contained, and if homes are sites and containers of memory, then rendered windows and doors serve as both literal and psychological passageways into the interior of the home and the interior sites of the mind with its associated lived experiences and memories. As a corrective measure in representing Detroit, my practice uses visual or written means to provide the audience of my work with oft-overlooked historical contexts to illuminate the ways corporate abandonment, housing segregation, highway construction, and white flight led to the city’s present day challenges.\",\"PeriodicalId\":343897,\"journal\":{\"name\":\"Refract: An Open Access Visual Studies Journal\",\"volume\":\"59 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Refract: An Open Access Visual Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5070/r73151221\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refract: An Open Access Visual Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/r73151221","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Traces, Fragments and Voids: An Artist Representing Detroit's Vanishing Homeland
Author(s): Sage, Whitney Lea | Abstract: Homesickness Series, an ongoing series of monochromatic ink paintings modeled after tintype photography, frames the facades of individual homes in Detroit as a form of portraiture. If individual depictions of lost or endangered homes can be seen as portraits of the residents they once contained, and if homes are sites and containers of memory, then rendered windows and doors serve as both literal and psychological passageways into the interior of the home and the interior sites of the mind with its associated lived experiences and memories. As a corrective measure in representing Detroit, my practice uses visual or written means to provide the audience of my work with oft-overlooked historical contexts to illuminate the ways corporate abandonment, housing segregation, highway construction, and white flight led to the city’s present day challenges.