探索火、水、土和空气:一个交互设计巴士和艺术装置,通过人类和元素的联系反映气候变化问题

Alettia V. Chisin, J. V. Niekerk, M. M'Rithaa
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引用次数: 2

摘要

旅行的概念打开了通往不同视角的大门,是在技术设计的人工制品介导的空间中生活、工作和社交的解毒剂。界面已经变得无处不在,沟通的关系和风格也随着这种无处不在的趋势而改变。来自开普半岛理工大学的技术设计学士学生通过他们在这些领域的设计研究问题分享了他们的关注点。出现了关于水安全、食品安全、空气质量、污水管理、残疾人边缘化、文化特殊性被通用数字内容抹去等问题;很明显,连接生态系统和人类系统的脆弱的线需要培育。从内部景观到外部景观,这些学生创造性地运用自己和智力,以便积极主动地解决实际问题;少说空话,多做工作。为此,一个相当大的艺术装置作品已经被概念化和构建,并将于2014年10月在纳米比亚举行的第13届参与式设计大会(PDC)上展出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quest for fire, water, earth and air: an interaction design bus and art installation reflecting climate change concerns through human and elemental connectedness
The notion of travelling to open doors onto different perspectives is an antidote to living, working and socializing in spaces mediated by technologically designed artifacts. Interfaces have become ubiquitous and relationships and styles of communication have changed in keeping with this ever-present trend. The Bachelors in Technology design students, from the Cape Peninsula University of Technology, have shared their concerns through their design research problems in exactly these areas. Questions regarding water safety, food security, air quality, sewerage management, marginalisation of people with disability, cultural specificity being erased by generic digital content arose; it became clear that the fragile threads connecting the ecosystem to the human system need nurturing. From an internal landscape to an external one, these students apply themselves creatively and intellectually in order to tackle real problems pro-actively; to talk less and do more. To this end, a sizable art installation piece has been conceptualized and constructed which will be unveiled with an accompanying performance piece at the 13th Participatory Design Conference (PDC) in Namibia, in October 2014.
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