K. Jobst, A. Kappeler, Andrea Komlosy, Annegret Pelz, Dieter Segert, Olaf Terpitz, Tatjana Thelen
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引用次数: 0
摘要
这篇文章展示了波兰戏剧导演兼翻译家Jan Nepomucen Kamiński(1777-1855)如何使用他对现在被遗忘的德国作家Theodor Körner(1791-1813)的戏剧《海德薇格》(Hedwig)的波兰语翻译，为他后来对1768年的《Koliyivshchyna》的戏剧改编做准备。波兰浪漫主义文学的学者通常将Kamiński的海伦娜与塞沃林Goszczyński的著名长诗Zamek kaniowski (the Kanijw Castle;1828)。本文同时参考了这一主题的更大语境，如米夏沃夫·苏霍罗夫斯基的戏剧《万达·波托卡》，Kamiński的处理方式对其产生了重大影响。这些文字见证也证明，发生在乌克兰中部的潜在历史事件在加利西亚引起了巨大反响。
Continuities and Discontinuities of the Habsburg Legacy in East-Central European Discourses since 1918
The article shows how the Polish theater director and translator Jan Nepomucen Kamiński (1777–1855) uses his Polish translation of the drama Hedwig by the now forgotten German author Theodor Körner (1791–1813) to prepare his later drama elaboration of the 1768 Koliyivshchyna. Scholars of the Polish Romantic literature usually associate Kamiński’s Helena with Seweryn Goszczyński’s well-known long poem Zamek kaniowski (The Kanijw Castle; 1828). This paper simultaneously references the larger context of this theme like Michał Suchorowski’s drama Wanda Potocka, which Kamiński’s treatment has significantly influenced. These literary testimonies also prove that the underlying historical event from central Ukraine saw a great response in Galicia.
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