电影和跨话语符号学。多屏幕时代的数字电影:一个新的环境,一个新的观众

Manuel Blanco Pérez
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引用次数: 7

摘要

近年来,一种新的电影环境正在形成,在电影院看电影的行为已经被明确地作为电影工业中的一个次要商业元素。但随着新冠肺炎疫情的到来和对商业影院的禁令,这一趋势得到了加速,催生了新的多银幕影院:在2020年和2021年第一季度,多银幕影院占据了国际舞台的主导地位,并带来了不可逆转的变化。这可能会让我们质疑,我们是否仍然在谈论电影,从它发明以来就被赋予的意义上说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cine y semiótica transdiscursiva. El cine digital en la era de las multipantallas: un nuevo entorno, un nuevo espectador
In recent years, a new cinematic environment has been taking shape, where the act of watching a film in a cinema had already been articulated as a minor commercial element within the film industry. But this trend, with the arrival of COVID-19 and the ban on commercial cinemas, was accelerated, generating the new multi-screen cinema: which has dominated the international scene in 2020, the first quarter of 2021, and which has introduced changes that will no longer be reversible. This may lead us to question whether we are still talking about cinema, in the sense it has been given since its invention.
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