绘制或不绘制:在非仪器的无手势半空素描中识别笔画-悬停意图

Umema Bohari, Ting-Ju Chen, Vinayak
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引用次数: 5

摘要

用手指在半空中绘制曲线是应用于3D素描、几何建模、手写识别和身份验证的基本任务。空中曲线输入通常是通过明确的用户输入完成的;类似于点击和拖动,用户可以使用一个手的姿势(如捏)或一个按钮在仪表控制器上,以表达意图开始和停止素描。在本文中,我们提出了一种新的方法来识别用户在空中素描任务中绘制或不绘制的意图,而无需使用姿势或控制器。对于用户手指轨迹中记录的每个新点,我们的想法是简单地将这个点分类为悬停点或笔划点。我们的工作是由一项行为研究激发的,该研究表明,由于使用手势和仪器设备时缺乏鲁棒性和直观性,因此需要这种方法。我们使用触觉设备捕获用户的草图数据,并使用基于轨迹的局部几何和运动轮廓的特征向量训练多个二元分类器。我们对这些分类器进行了系统的比较,并讨论了我们的方法在空间曲线输入应用中的优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To Draw or Not to Draw: Recognizing Stroke-Hover Intent in Non-instrumented Gesture-free Mid-Air Sketching
Drawing curves in mid-air with fingers is a fundamental task with applications to 3D sketching, geometric modeling, handwriting recognition, and authentication. Mid-air curve input is most commonly accomplished through explicit user input; akin to click-and-drag, the user may use a hand posture (e.g. pinch) or a button-press on an instrumented controller to express the intention to start and stop sketching. In this paper, we present a novel approach to recognize the user's intention to draw or not to draw in a mid-air sketching task without the use of postures or controllers. For every new point recorded in the user's finger trajectory, the idea is to simply classify this point as either hover or stroke. Our work is motivated by a behavioral study that demonstrates the need for such an approach due to the lack of robustness and intuitiveness while using hand postures and instrumented devices. We captured sketch data from users using a haptics device and trained multiple binary classifiers using feature vectors based on the local geometric and motion profile of the trajectory. We present a systematic comparison of these classifiers and discuss the advantages of our approach to spatial curve input applications.
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