开罗市清真寺的基督教标志杆是埃及科普特文明和伊斯兰文明之间的一种沟通模式,这种模式是指在法律中出现的分裂主义和伊斯兰主义。

Radwa Zaki
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引用次数: 0

摘要

埃及的伊斯兰建筑,特别是开罗的伊斯兰建筑,在伊斯兰文明的连续时代中,包括了部分以前的建筑遗产,在那里它包含了适当的元素,或者重新调整它以利用所有可用的建筑资源,其中包括古代建筑元素。因此,一组柱子从基督教建筑转移到开罗的清真寺,在那里他们的首都刻有基督教的象征,如十字架,鸽子或鹰的形状的鸟。因此,研究论文旨在解释伊斯兰文明时代科普特和伊斯兰古迹之间相互作用的一个方面,作为建筑中所代表的科普特和伊斯兰埃及之间联系的模型,通过研究开罗清真寺中重复使用的带有基督教符号的这些柱子的例子。为了从伊斯兰教法的角度来阐释这些基督教建筑元素的运用,并找出其在宗教功能建筑中的运用意义。这些建筑元素见证了伊斯兰艺术的民间特征,它吸收了以前的建筑遗产。虽然,实际的经济动机是穆斯林处理这些建筑元素作为建筑材料的主要动机;另一方面,它考虑了科普特建筑遗产与伊斯兰文化之间相互影响的原型,包括宽容、正义和尊重宗教的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
الأعمدة ذات الرموز المسيحية في مساجد مدينة القاهرة نموذج للتواصل بين الحضارة القبطية والإسلامية في مصر THE COLUMNS WITH CHRISTIAN SYMBOLS IN CAIRO MOSQUES: A MODEL OF INTERACTION BETWEEN THE COPTIC AND ISLAMIC CIVILIZATIONS IN EGYPT
Islamic architecture in Egypt, specifically in the city of Cairo, through the successive eras of the Islamic civilization, included parts of the former architectural heritage, where it has comprised the appropriate elements as it is, or re-adapted it to take advantage of all available building resources, which included ancient architectural elements. Therefore, a set of columns transferred from Christian edifices to the mosques of Cairo, where their capitals engraved with Christian symbols such as the cross, the bird in the shape of a pigeon or an eagle. Accordingly, the research paper aims at explaining the one of the aspects of interaction between Coptic and Islamic monuments in the ages of Islamic civilization, as a model of the connection between the Coptic and Islamic Egypt represented in the architecture, by studying examples of these columns with Christian symbols reused in mosques in Cairo. In order to shed light on the usage of those Christian architecture elements from the perspective of Islamic law, and to find out the significance of its use in religious functional buildings. These architecture elements stand as a witness of the civil character of Islamic art, which absorbed the former architectural heritage. Although, the practical- economic motives were the primary incentive for Muslims to deal with those architectural elements as building materials; it considered on the other hand a prototype of the mutual influence between the Coptic architectural heritage and Islamic culture, including the concepts of tolerance, justice and respect for religions.
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