{"title":"从马尔维纳斯到终点:豪尔赫·丹蒂对阿根廷民主过渡的看法","authors":"P. Margulis","doi":"10.5380/his.v70i1.82840","DOIUrl":null,"url":null,"abstract":"This article relates two documentary films by Jorge Denti, Malvinas, historia de traiciones (1983) and No al Punto Final (1986), with the aim of surveying the story line that, as a group, they organize around Argentina’s democratic transition, while observing the mode in which their narrative structure relates to different imaginaries and identities from the seventies and eighties. In view of Denti’s political and filmmaking career, the article focuses on the use of testimony and on the construction of an epic surrounding the organization of the people, which bring together different epochal perspectives.","PeriodicalId":426542,"journal":{"name":"História: Questões & Debates","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"De Malvinas al Punto Final: la mirada de Jorge Denti sobre la transición democrática argentina\",\"authors\":\"P. Margulis\",\"doi\":\"10.5380/his.v70i1.82840\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article relates two documentary films by Jorge Denti, Malvinas, historia de traiciones (1983) and No al Punto Final (1986), with the aim of surveying the story line that, as a group, they organize around Argentina’s democratic transition, while observing the mode in which their narrative structure relates to different imaginaries and identities from the seventies and eighties. In view of Denti’s political and filmmaking career, the article focuses on the use of testimony and on the construction of an epic surrounding the organization of the people, which bring together different epochal perspectives.\",\"PeriodicalId\":426542,\"journal\":{\"name\":\"História: Questões & Debates\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"História: Questões & Debates\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5380/his.v70i1.82840\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"História: Questões & Debates","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5380/his.v70i1.82840","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文涉及Jorge Denti, Malvinas, historia de traiciones(1983)和No al Punto Final(1986)的两部纪录片,目的是调查故事线,作为一个群体,他们围绕阿根廷民主转型组织起来,同时观察他们的叙事结构与七、八十年代不同的想象和身份相关的模式。针对邓迪的政治和电影创作生涯,本文重点关注证词的使用和围绕人民组织的史诗建构,汇集了不同的时代视角。
De Malvinas al Punto Final: la mirada de Jorge Denti sobre la transición democrática argentina
This article relates two documentary films by Jorge Denti, Malvinas, historia de traiciones (1983) and No al Punto Final (1986), with the aim of surveying the story line that, as a group, they organize around Argentina’s democratic transition, while observing the mode in which their narrative structure relates to different imaginaries and identities from the seventies and eighties. In view of Denti’s political and filmmaking career, the article focuses on the use of testimony and on the construction of an epic surrounding the organization of the people, which bring together different epochal perspectives.