保存美国内战的反映:一个19世纪全景箱的案例研究

Ted Stanley
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引用次数: 1

摘要

全景箱一直是西洋镜发展中不可或缺的一部分。自15世纪以来,西洋镜为观众提供了一种不同的观看艺术的方式。传统艺术通常使用直接反射光和静态构图来帮助向观众传达一个想法,而西洋镜则使用广泛的技术,如透射光、镜子、错觉等来帮助观众理解作品。全景箱出现在18世纪,给观众提供了城市生活或重要事件的扩展视图。它们也是用于日常生活中简单娱乐的小发明。这篇论文回顾了19世纪一种名为“Myriopticon”的全景箱的保存情况,这种全景箱讲述了美国内战期间的重要事件。本文还简要介绍了全景箱的发展历史和一些更有趣的设计。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conserving reflections of the American Civil War: case study of a nineteenth-century panorama box
Summary Panorama boxes have long been an integral part of the development of peepshows. Since the fifteenth century peepshows have presented the viewer with a different way to look at art. Traditional art often uses direct reflected light and static compositions to help transmit an idea to the viewer whereas peepshows use a wide range of techniques such as transmitted light, mirrors, illusions, etc to help the viewer interpret a work. Panorama boxes appeared in the eighteenth century and gave the viewer extended views of life in cities or important events, for example. They were also small inventions used for simple amusement in one's daily life. This paper reviews the conservation of a type of nineteenth-century panorama box called a ‘Myriopticon’ that recounts important events during the American Civil War. The paper also takes a brief historical look at the development of the panorama box and some of their more interesting designs.
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