另一个边界,超越边界:《沙墓》中女性角色的比较研究

Souhardya Chatterjee
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引用次数: 0

摘要

在数字人文和后记忆研究的时代,文学记录了被宏大的历史叙事所包含的情感信息。在分割文学流派中,小说探索了未实现的可能性领域,从而呈现了可能采取的替代路径。Geetanjali Shree的国际布克奖获奖小说《沙之墓》探讨了一位八十岁的妇女带着女儿重访她在巴基斯坦的童年之家的旅程。这是一个关于一个人的故事,他被剥夺了领土,在分裂的创伤中达成了谈判。本文试图通过对文本进行批判性评价来分析关于母性、身份形成和性别表现的争论。它以小说中三个最重要的女性角色为主题,马是主人公;女儿贝蒂;罗西,海吉拉。在对三个人物内在的女性气质进行比较和对比的同时,也试图探索女性在边界中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANOTHER BORDER, BEYOND THE BORDER: A COMPARATIVE STUDY OF THE WOMAN CHARACTERS IN TOMB OF SAND
In the age of digital humanities and post-memory studies, literature records the affective information that is subsumed by the grand narratives of history. In the genre of partition literature fiction explores the domain of unfulfilled possibilities thereby presenting the alternative paths that could have been taken. Geetanjali Shree’s International Booker Prize-winning novel Tomb of Sand explores the journey of an eighty-year-old woman revisiting her childhood home in Pakistan along with her daughter. It is a tale of an individual, who has been de-territorialized, reaching a negotiation with the trauma of partition. This article attempts to analyse the debates on motherhood, identity formation, and gender performance by conducting a critical appreciation of the text. It takes up as its subject the three most dominant woman characters in the novel, Ma, the protagonist; Beti, the daughter; and Rosie, the hijra. In comparing and contrasting the inherent womanhood of the three characters, it also tries to explore the position of women inhabiting the boundaries.
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