玛丽·雪莱和怪物素食主义者的概念

E. Quinn
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引用次数: 0

摘要

第一章认为玛丽·雪莱的《弗兰肯斯坦》(1818)标志着“可怕的素食主义者”比喻的起源。这一章建立了影响雪莱小说的素食语境,然后概述了这个可怕的素食主义者的主要特征。首先,怪物拒绝吃肉的证据和探索与浪漫主义素食主义的关系。其次,他的混合面相,由屠宰场和墓地的残余物组成,使得整部小说都能密切关注视觉识别的行为。第三,这个生物在异性生殖范围之外的诞生与他对生殖未来的挑战有关,素食主义被认为是人类黄金时代的循环回归。最后,这种生物与文学作者的关系表明,可怕的素食主义者将道德身份铭刻在身体上的困难凸显出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mary Shelley and the Conception of the Monstrous Vegan
Chapter 1 argues that Mary Shelley’s Frankenstein (1818) marks the origins of the ‘monstrous vegan’ trope. The chapter establishes the vegetarian contexts influencing Shelley’s novel before outlining the principal defining traits of the monstrous vegan. First, the monster’s refusal to eat meat is evidenced and explored in relation to Romantic vegetarianism. Second, his hybrid physiognomy, composed of remnants from the slaughterhouse and charnel house, allows for close attention to acts of visual recognition throughout the novel. Third, the creature’s birth outside of the confines of heterosexual reproduction is explored in relation to his challenge to reproductive futurities, with vegetarianism seen to offer a circular return to a Golden Age of humankind. Finally, the creature’s relation to literary authorship establishes that monstrous vegans bring to the fore the difficulty of inscribing ethical identities onto bodies.
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