注意

J. Bilbro
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引用次数: 0

摘要

注意力是开始研究可持续文化形式的一个合适的地方,因为这些形式首先依赖于那些专注于感知和参与他们所在地区正在进行的模式的成员。然而,贝瑞的诗歌揭示了注意力可能是一件奇怪的事情;当他注意到自己的位置时,他发现自己也被注意到了。我们的数字网络文化破坏了这些持续关注的相互动力。虽然我们社区的健康依赖于注意力,但我们经常依赖于分散注意力和监视这些更容易的习惯。我们的屏幕网络被镜子包围着,这些镜子向我们反射出我们自己的欲望和偏好,在这个过程中,我们与我们所在地方的复杂现实隔绝了。相比之下,贝瑞的诗歌则是一种关注的模式,提醒读者他们并不是这个世界的组织主体。他们把他的位置及其成员描绘成哲学家让-吕克·马里恩所说的“饱和现象,“人存在超出了他的能力,所以总有他有义务作证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Attention
Attention is a fitting place to begin a study of sustainable cultural forms because these forms depend, first of all, on members who are attentive to perceive and participate in the ongoing patterns of their places. Berry’s poetry, though, reveals that attention can be a strange thing; as he attends to his place, he finds himself attended to. Our digitally networked culture undermines these reciprocal dynamics of sustaining attention. Although the health of our communities depends on attention, we often fall back on the easier habits of distraction and surveillance. Our web of screens surrounds us with mirrors that reflect back to us our own desires and preferences, in the process cutting us off from the complex realities of our places. Berry’s poems, in contrast, model forms of attention that remind readers they are not the organizing subjects of the world. They portray his place and its members as what the philosopher Jean-Luc Marion calls “saturated phenomena,” beings who exist beyond his capacity to see, and so there is always more to which he is obligated to bear witness.
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